Study Of Dunhuang Manuscript Group For Qinfuyin

Qin Fu Yin is a long narrative poem preserved in the Dunhuang manuscript,which is a masterpiece by the late Tang poet Wei Zhuang.Poetry borrows the mouth of the "Qin woman" to chant the tragedy of the Yellow Nest Rebellion and the faintness of the officers and soldiers,which is a poetic history of the chaotic society of the late Tang Dynasty,and has never been handed down.A total of 14 manuscripts of Qin Fu Yin were found in Dunhuang Tibetan scripture cave,and this paper uses these 14 manuscripts and related documents as the research content,hooks up and copies the manuscript group with Qin Fu Yin,uses the concept and method of manuscript science as a basis,focuses on the whole of the manuscript,and further understands the intrinsic relationship between the Qin Fu Yin manuscript group through the investigation,collation and research of the detailed information of the manuscript.On the basis of improving the group narrative examination of the manuscript of Qin Fu Yin,the relevant content in the manuscript is studied,its nature,application scenarios and the cultural ecology behind the manuscript are discussed,and a special study is made on the text of Qin Fu Yin.First of all,we exhaustively collected the manuscripts of the Qin Fu Yin in Britain,France,Japan,Russia and other countries,and investigated their existing conditions and copied contents by comparing plates and searching for catalogue books,and classified and described the manuscripts according to the different locations of the collections.According to the different texts of each manuscript with the same copy content,the manuscript was divided into three copying systems with different distant relatives,and the transcription age of each manuscript was investigated according to the existing inscription and the classification of the manuscript system,and on this basis,the manuscript was divided into Xuelang manuscript,rap manuscript and folk manuscript.Secondly,the manuscripts involved in the same copied literature that appear in the manuscript group of the Qin Fu Yin are investigated.Among the 14 manuscripts,except for miscellaneous copies and inscriptions,8 manuscripts only copied Qin Fu Yin,and the remaining 3 manuscripts collected a variety of documents.These co-copied works are related in nature and content,which is in line with the characteristics of the collection of Dunhuang manuscripts and cocopied documents.Most of these manuscripts are used as teaching materials in monastic education,and some are also disseminated as singing books.According to different types of use,the nature of each manuscript is divided,and the purpose of use,the use scene and the different cultural ecology reflected behind each type of manuscript are explored,and the temple education and rap entertainment in Dunhuang at that time are explored.Finally,a multi-angle and all-round comprehensive study of the work itself of Qin Fu Yin is carried out.The circulation and loss of Qin Fu Yin is closely related to the work itself,social environment and cultural tradition,and literature is never absent in the face of major historical events,Qin Fu Yin is a good example.The reason why Qin Fu Yin has no heirloom is the result of Wei Zhuang’s self-deprecation and the ruler’s taboo,and it is by no means a single prohibition in one aspect.The paper also examines the identity of "Qin woman"in Qin Fu Yin,and examines the multiple connotations of the author of "Qin Fu Yin from the perspective of narration,so as to further feel the artistic charm of Qin Fu Yin.