A Study On The Personal Life History Of The Artists Of The Cai’ao Yue Opera Troupe From The Perspective Of Folklore

Personal life history is the research direction of multidisciplinary attention.The current folklore research on personal life history has also involved special groups such as rural women and non-genetic inheritors.Dan Ben-Amos(Dan Ben-Amos)defines folklore as "artistic communication in a small group".This article selects eight folk artists from the Yue Opera Troupe of Cai’ao Village,Fuding City,Fujian Province as the research objects,mainly from personal life history.From the perspective,the "people" of the troupe artists and their artistic and cultural "customs" are studied.It explores the mechanism of getting along between artists of the Cai’ao Yue Opera Troupe who have a common performing arts experience,combines the micro personal history of the artist with the macro social history,and analyzes the internal logic of the artist’s personal life history and the current life state.This article mainly includes seven parts including the introduction,five chapters of the main body and the conclusion.The introduction focuses on the current domestic and overseas research results on personal life history in academia.The first chapter mainly explains the living space of the artists of Cai’ao Yue Opera Troupe from the space and time dimensions and the context of the formation of Cai’ao Yue Opera Troupe,and sorts out the historical development,family culture and festival culture of Cai’ao Village.The second chapter mainly discusses the three main stages that the Cai’ao Yue Opera Troupe has gone through.From the three stages of establishment,hiding and disbanding,it tells the entire development and historical process of the Cai’ao Yue Opera Troupe as a grass-roots in the village.The third chapter mainly describes the artist’s career experience of the Cai’ao Yue Opera Troupe,recording the life landscape of the artist before and after entering the troupe,including the family situation and motivation of entering the Yue Opera Troupe,as well as the acting life in the troupe.The fourth chapter mainly analyzes the gender "suffering" that female Yue opera performers endure,describes the status of female performers in the troupe and family,and then discusses the relationship between the personal "small history" and the national "big history".Logic.The fifth chapter mainly explores the marriage,career choice and current old life status of local artists,and discusses how the personal life history affects the current life of the group of artists and other issues.Based on the above research,this article finds that the artists of the Cai’ao Yue Opera Troupe are special "people",and their common performance experience constitutes the village art that belongs to their small groups.This kind of village art is related to the grand history of the society.The “vulgarity” of the artists is formed in the interaction of the artists;in their later years,these artists regrouped into a small-scale artistic life group through their“vulgarity”.Therefore,the personal life history constituted by the artists through social memory and artistic communication has had a most important impact on their current folk life.