Research On The Exchange Of Arts And Crafts Between China And Foreign Countries In The Eastern Han Dynasty

In the history of more than 190 years,the Eastern Han dynasty had eight emperors and fourteen emperors.During the reign of the Eastern Han Dynasty,politics was relatively stable and feudal economy developed further.Under the promotion of politics,economy and culture,the exchange of arts and crafts between the Central Plains and the outland countries gradually became active,and the Central Plains became the center of convergent exchanges of diverse civilizations.Based on all kinds of historical documents and materials,this paper summarizes and sorts out the events of the exchange of arts and crafts between China and foreign countries in the Eastern Han Dynasty.First of all,it basically defines the regional scope of arts and crafts exchange between China and foreign countries and the research scope of arts and crafts and crafts products in the Eastern Han Dynasty.Combined with the research status at home and abroad,the emphases,difficulties and innovations of this paper are determined.Secondly,starting from the motivation of the exchange of arts and crafts between China and foreign countries in the Eastern Han Dynasty,the author sorts out the overall open and peaceful foreign exchange policy in politics of the Eastern Han Dynasty.Economically,the prosperity and development of economy and trade along the Silk Road;In terms of ideology and culture,Buddhist art and culture spread to the east,which provided favorable conditions for the exchange of arts and crafts of various countries.At the same time,in view of the eastern han dynasty history of Chinese and foreign art exchange events,restore the "gift","reward","trade","looting" four different forms of arts and communication,and all kinds of arts and crafts segment different contents of communication form,and connecting with the identity characteristics,reason and regional characteristics of three latitude to analyze its features.This paper classifies the arts and crafts in the history of the exchange of arts and crafts between China and foreign countries in the Eastern Han Dynasty into four categories: clothing and silk weaving,Musical Instruments,military implements and rare treasures,and makes a sorting and textual research on their specific contents one by one.On this basis,draw the communication map of each category,so as to summarize the overall trend of arts and crafts communication.Finally,the characteristics of arts and crafts communication are summarized,including the characteristics of communication mode,communication content and communication flow.This paper tries to analyze the influence of the exchange of arts and crafts between China and foreign countries in the Eastern Han Dynasty from two aspects: the development of art and culture in central China and the development of art and culture in foreign countries.All in all,this article use all kinds of data,using various research methods,combing the historical materials of Chinese and foreign art exchange of the eastern han dynasty,map communication flow,roughly from the lateral draw the outline of the overall context of Chinese and foreign arts and communication of the eastern han dynasty,the subdivision of arts and crafts communication in different category,in order to make up for the history of arts and crafts.In the vertical,the paper combs the specific contents and ways of the exchange of Chinese and foreign arts and crafts,and summarizes and extracts the characteristics and influence of the exchange of Chinese and foreign arts and crafts in the Eastern Han Dynasty.This helps us to expand the research field of arts and crafts exchange,excavate the artistic characteristics of the exchange of arts and crafts between China and foreign countries in the Eastern Han Dynasty,and then promote the comprehensive and in-depth exchange of arts and crafts.At the same time,it also helps us better understand the connotation of arts and crafts and art culture of various countries,which is of great significance for us to establish cultural confidence and promote the development of artistic culture diversity.