Exploration And Creation Of Calligraphic Script Inscriptions On Han Picture Stone

During the Han Dynasty,portrait stones were used in tomb buildings such as burial chambers,stone temples,and stone palaces,as well as in tomb carriers such as stone coffins and stone letters,with a small amount of text inscriptions attached.This part of the inscription has become a treasure in ancient Chinese calligraphy.This article summarizes and studies the artistic style and technical features of the official script in the title notes of the Han portrait chart,using methods such as comparative analysis,legend analysis,and observation.By comparing the Han Dynasty stone carvings with the Han Dynasty steles and contemporary ink,this study explores the similarities and differences between the Han Dynasty stone carvings with the Han Dynasty steles and contemporary ink,as well as their aesthetic value in contemporary times.It summarizes the characteristics and values of the Han Dynasty stone carvings with the aim of guiding the practical creation of the Han Dynasty stone carvings with the official script.Therefore,this article focuses on the study of calligraphy art in the inscription of Han portrait inscriptions,combining theory with practice.Through the creation practice of portrait stone inscriptions with official script,the relationship between the monument and ink,the rubbing effect and writing effect,the characteristics of practical and creative copying,and the relationship between copying and creation are explored in the works.Based on the dialectical thinking of theoretical guidance in creation and creative expression theory,this paper presents the undeniable role of Li Shu in the development of Li Shu and its enormous value in contemporary Li Shu creation through creative practice.