Research Of New Mainstream Films From The Perspective Of Film Industry Aesthetics,Production,Expression And Cultural

The development of the new mainstream film has a unique opportunity of the times.First,the rapid development of China’s status and the rising international status have laid a solid foundation for the new mainstream film to tell a good story about China and expand its international influence.At present,socialism with Chinese characteristics has entered a new era,and China has gradually become the center of the world stage,making the new mainstream film win more voice;Second,the deepening of the "the Belt and Road" construction has provided a good international stage and a friendly international environment for the new mainstream films.Along with the aesthetic theory of the film industry,it is proposed that film production should adhere to the concept of the film industry and the principle of type production,weaken the perception and control personal talent as a whole,and replace it with a rational,standardized and standardized way of work.This paper reviews the historical context of red films.The Chinese film industry has experienced the passion writing of red films in the early days of New China,the legalization construction of mainstream films after the reform and opening up,and the commercial mainstream film production under the guidance of market-oriented sharing.It has moved towards the multi analysis of the expression of new mainstream films under the background of film industrialization.China’s film industry has emerged and expanded in the 21 st century,ushering in a new era of industrialization and developing new features of industrialization.In general,thanks to the new pattern established by the reform of the economic system and the high and new technology of film production,China’s film industry has achieved the unification of industrial aesthetic benefits and industrial economic benefits in the new stage,and has opened up a new highland for film promotion by integrating media resources and the all star and all media three-dimensional model.This paper is based on the industrialization performance of the new mainstream film,and the market economy maximization and production standardization of the new mainstream film under the film industrialization production publicity mode.This paper combs the process of the film industry,compares the production mode of the new mainstream film,analyzes the successful experience at the production level from the narrative,aesthetic and cultural perspectives,explores the characteristics of high efficiency of the film industry,and guides the optimization and development of a more benign industry.In addition,it responds to the needs of the times from a cultural perspective,truly focuses on the people,tells the topics of the times that the people pay attention to,and shapes the growing memory of the new era of the Republic.From the perspective of aesthetics,we should develop and strengthen our own theory and criticism system of domestic films,guide the audience to form their own unique aesthetic acceptance mechanism,distinguish them from the traditional European and American film industry aesthetic system,and create a film industry aesthetic system with oriental aesthetic characteristics.In terms of narrative characteristics,Chinese films creatively inherit the historical imprints and break through the narrative expression mode.Action,suspense,comedy and science fiction elements infiltrate and integrate with the mainstream value,and the fantasy scene enhances the appeal of the new mainstream film.The grand history is combined with the social reality,the spectacle resonates with the individual perspective of the common people,and the commercial tribute art film of stars is used to symbolize the collective historical memory.Science and technology enable the immersive expression of New China’s intentions,and the special effects of sound and motion help to express the unusual new aesthetics.In terms of aesthetic characteristics,Chinese films have achieved a four-dimensional transcendence of "realism","shock","immersion" and "integration",and broken the circle with depth reality in the era of "implosion".With the deep combination of "realism" and "shock",the new mainstream film composes the youth fashion stories facing the people’s livelihood,and uses the wonders of industrialization to support aesthetic expansion;To achieve "integration" in "immersion",the new mainstream film mobilized the audience and emotional identity and awakened the flow of watching film,and successfully carried out the exploration of industrialization,business talk and mainstreaming.The Chinese film industry bases itself on the local market and enhances cultural identity,which has stimulated the industrial cultural characteristics of the national perspective and the global perspective to advance together,and the internal construction and external breakthrough to go hand in hand.Starting from stitching the mainstream ideology and youth aesthetics,the new mainstream film depicts the image of New China through the world fashion culture.With the community of shared future as the ideological bridge,the new mainstream film conveys Chinese philosophy and the Chinese nation’s responsibility.From breaking the western stereotype and strengthening the cultural identity of the Chinese nation to striving for the guidance of the Chinese national culture,the Chinese industrial film represented by the new mainstream film has bravely climbed one peak after another in the post globalization era.Under the development of film industrialization,China’s film industry has experienced multiple changes from "obedience" to "reflection",from "inheritance" to "criticism",and has also opened up a Chinese film industry aesthetics originating in China and facing the world.Looking forward to the future,as a special industrial film branch with unique oriental aesthetic characteristics,cultural characteristics,narrative characteristics,text characteristics and global advanced science and technology support,Chinese film will surely occupy a high place in the global film and television market competition,use sufficient strength to meet the challenges posed by western media groups,and pass industrial images,Chinese images,and China’s images to the world with a loud and beautiful voice.