Song Luo’s Appreciation And Collection Of Literary Studies

"Appreciation and collection" was one of the important parts of the daily life of literati in the early Qing Dynasty.This paper is entitled "A Study of Song Luo’s Literature of Appreciation and Collection" and explores the strategy of Song Luo’s literature of appreciation and collection and the concept of appreciation and collection reflected behind it,and explores the role of appreciation and collection in his daily life and social interactions from the outside.The literary works created by Song Luo around the activities of appreciation and collection are rich in form and profound in meaning.Appreciation and collection were not only an important part of Song’s daily life,but also a personal hobby and a social tool for him to be active in the officialdom,so exploring his literary writing on appreciation and collection not only provides a glimpse of how he strove to innovate and write his own "new poetry" amid the dilemma of exhausted subject matter,but also how he used appreciation and It is also possible to understand how he used his connoisseurship and collecting activities to downplay political conflicts,to build an aesthetic space in which both the relics and the new nobles could participate in the special political atmosphere of the early Qing Dynasty,and to draw people’s hearts and minds."In the introductory section,the research perspective of the history of everyday life is presented as an expansion of the study of Qing dynasty literature,and the perspective is focused on the literary writing of Song Luo’s appreciation and collection,defining the concepts of " appreciation and collection," " literati appreciation and collection," and" appreciation and collection literature.The first chapter focuses on the appreciation and collection style in late Ming and early Qing dynasties.From late Ming to early Qing dynasties,with the rise of literati appreciation and collection,various kinds of appreciation and collection books also emerged,and appreciation and collection writing also differed due to different purposes and interests of appreciation and collection;secondly,it introduces the overview of Song Luo’s appreciation and collection and,based on his literary texts of appreciation and collection,digs into the political connotation behind his appreciation and collection travels and his concept of appreciation and collection of "uselessness as use" and "nothing as something".The second chapter is based on a detailed analysis of Song Luo’s literary texts on painting and calligraphy,monument and topography appreciation and collection,and introduces his "academic inscriptions" and "literary inscriptions",the former showing his ability to appreciate and collect,and the latter either blending emotions with objects or remembering people through objects,achieving a realm of literary convention and richness.The former shows his ability to appreciate and collect,and the latter either blends the emotions of objects or remembers people through objects,achieving a realm of richness of meaning;Song Luo uses poetry to construct and comment on the history of painting appreciation and collection,showing his broad vision of appreciation and collection,but because he has to balance the two functions of "poetry" and "theory",his poetic theory is unclear and lacking in rhythm;the scarce,unique,and aesthetic value of The rare,unique and aesthetic value of the painting collection is the external basis of Song’s painting appreciation and collection writing,and his concept of appreciation and collection is the internal driving force of his creation.Song relied on the writing mode of "collecting paintings-appreciating paintings-viewing and feeling" to restore the scene of appreciation and collection,presenting his open-minded view of life in poetic language;unlike his contemporaries who appreciated monuments to "prove the scriptures and fill in history" or "express their feelings through monuments Unlike his contemporaries who appreciated monuments to "prove the scriptures and fill in history"or "express their feelings through monuments",Song Luo paid more attention to the aesthetic value of monuments and topiaries,and his rich academic connotation can be seen in the literary writing of his monuments and topiaries.The third chapter takes Song’s literary writing on the appreciation and collection of literary objects as an entry point to explore the role of literary objects in the daily lives of literati and in social interactions.Song’s taste in appreciating and collecting ink is highlighted in "Man Tang Ink Pieces" and "Man Tang Continued Ink Pieces",in which he embedded his own personality ideals in the aesthetic space of ink,thus confirming his own cultural power;Song Luo and Zhu Yizun jointly appreciated the "Yubaisheng" inkstone and composed the "Yubaisheng Song" together,and in fact Song Luo invited Zhu to appreciate the collection with him many times In fact,Song Luo repeatedly invited Zhu to enjoy his collection with him,with the intention of using Zhu Yizun’s prestige to draw in the elites of the literati in Jiangnan;the Kangxi emperor made his own turquoise inkstones to reward Song Luo and other Chinese officials to mediate between the Manchus and the Chinese,while the Qianlong emperor established a direct connection between the inkstones and the hierarchical order,and the turquoise inkstones became a symbol of imperial power in the Qing dynasty;Song Luo created an artistic scene of life with his literary offerings,in which he showed his interest in playing with things.Chapter 4 focuses on Song’s appreciation and collection of "Dongpo’s objects" to explore his motives for his enthusiasm for "Dongpo’s objects" and to analyze the influence of appreciation and collection of "Dongpo’s objects" on Song’s The influence of the appreciation and collection of "Dongpo’s objects" on Song’s literary creation.The main reason for Song’s appreciation and collection of "Dongpo’s objects" is his admiration for Su Shi,and the similarity of his eunuchs also deepened his respect for Su Shi,and during his time at Guanghuang,he obtained spiritual solace by imitating Su Shi’s appreciation and collection behavior;Song Luo collected and presided over the publication of the Southern Song text of "Shi Note Su Poems",and through this he initiated the He collected and presided over the publication of the Southern Song book "Shi Note Su Poems" and initiated the "Shou Su Society",which set off a boom in the study and interpretation of Su Shi’s poetry in the Qing Dynasty;"the things of Dongpo" was the object of Song Luo’s appreciation and collection,and he also used "the things of Dongpo" to complete the shaping of his own elegant image.He also used the "objects of Dongpo" to complete the shaping of his own elegant image.