A Study On The Trauma Of Michael, The Hero In Schlink's Novel The Reade

In the drama performance,the vivid characters’ lines are written by the playwright,while the characters’ hidden lines are derived from the actors’ deep excavation and secondary creation of the script.As for character creation,once an actor accurately grasps the tone of the character,he can also acquire and master the characters’ rich subtext.Generally,actors interpret the characters in the play according to the specified situations and characters’ lines provided by the script.However,due to the limitations of script creation,the playwright can only provide the actors with corresponding and limited character lines and stage action prompts according to the specified situation of the design and the needs of the development of the plot,without more detailed description of the vivid personality and thought state of the characters in the play.In this way,the creative task of endowing the characters with richness and liveliness falls on the actors.In order to make the characters vividly displayed on the stage,in addition to the necessary analysis and experience and other creative paths,further enriching the actors’ inner vision,constantly digging the characters’ inner monologue,and highlighting the supporting role of the hidden lines in highlighting the characters’ characters are the primary tasks of actors at the beginning of their creation.As Stanislavsky said,"The meaning of an actor’s creation lies in the subtext.Without subtext,any line will have no effect on the stage.If not,the audience will not have to bother to go to the theater to see the actors’ performance,just sit at home and read the script." It can be seen that actors are good at mining,understanding and using subtext in role creation,which plays a very important role in reflecting the character of characters,and is also a required course for actors to create roles.