A Study On Wang Bian And Wang Shu’s Poems Of Lou Dong Poetry School In The Early Qing Dynasty

Wang Bian and Wang Shu were members of the Ten sons of Taicang in the early Qing Dynasty and representative poets of Lou Dong Poetry School.The poetic works of Wang Bian and Wang Shu are mainly collected in Wu Weiye’s Ten Poems of Taicang,28 volumes of Lou Dong Poetry School,Chen Hu’s Congyou Collection,and Chaosong Collection and Luzhong Collection in their later years.Although Wang Bian and Wang Shu are not the most accomplished poets of Loudong Poetry School,they are also famous for their talent.Among them,Wang Shu’s poetic achievement is slightly higher than that of Wang Bian.As important members of Loudong Poetry School,Wang Bian and Wang Shu have not only the characteristics of Loudong Poetry School,but also personal characteristics.From the point of view of the family background,the influence of schools and the evolution of the poetic concept of the poetry dispute between the Tang and Song dynasties,this paper probes into the origin,theme and style evolution of Wang Bian and Wang Shu’s poetry.It is helpful to further understand the evolution of poetic style and the development of poetic school in the early Qing Dynasty.The paper is divided into three chapters.The first chapter mainly discusses the influence of the family style and family learning of the Wang family on the poetry creation of Wang Bian and Wang Shu.First,summarize the family style and family characteristics of the Wang family.Second,reveal the poetry creation of Wang Bian and Wang Shu under the influence of homeschooling origin.Since the Wang Xijue generation,the Wang family has continuously established a good family education and family style,so it has been able to become a famous family from a hands-on family.In terms of family learning,the family of the Wang family has won the title again and again.Wang Xijue,Wang Heng and Wang Shimin all have poems and essays handed down from generation to generation,and there is a tradition of intensive study of "Spring and Autumn" from generation to generation,which makes the Wang family literature profound and continuous.In terms of family style,the Wang people have the excellent quality of cherishing the world and treating others modestly.Under the influence of family style and family learning,Wang Bian and Wang Shu are humble and good at making friends.Their poems mainly reflect social reality,nostalgia for the past and the present,as well as gifts and nostalgia for friends.The second chapter analyzes the relationship between the poetry creation of Lou Dong Poetry School and the poetry creation of Wang Bian and Wang Shu.First,talk about the development of Lou Dong Poetry School.Second,analyze the common theme of poetry creation of Wang Meng,Wang Meng and Lou Dong Poetry School.Loudong Poetry School is an influential regional poetry school in the early Qing Dynasty,with rich regional cultural accumulation,among which Wu Weiye is the most successful poet of Loudong Poetry School.The poetry creation of Lou Dong Poetry School has something in common.On the theme,the poems of Lou Dong Poetry School sigh the change of history,mourn the hardship of people’s livelihood,sing the scenery of landscape,and sing the feeling of separation and separation.Wang Bian and Wang Shu absorbed the thematic characteristics of the poetry creation of the Lou Dong Poetry School: the content of the poem has the change of the change of the generation and the sorrow of millet,which reflects the social reality and the poet’s compassion for the people;in addition,gifts and parting,lack of talent and sorrowful thoughts are also the poetic themes they repeatedly chanted in their works.The third chapter mainly analyzes the poetry creation of Wang Bian and Wang Shu from the background of the poetry dispute between the Tang and Song dynasties in the early Qing Dynasty.First,a brief discussion on the evolution of the poetry dispute between the Tang and Song dynasties in the early Qing Dynasty.Second,analyze the creative tendency of Wang Kui’s poetry creation "both Tang and Song dynasties".Third,discusses the change of Wang Meng’s poetry writing style.The dispute between Tang and Song poetry is an important proposition in the poetry circle in the early Qing Dynasty,which mainly includes Tang Dynasty,Song Dynasty and both Tang and Song dynasties.With the evolution of poetry in the Tang and Song dynasties,the poetry creation of Wang Bian and Wang Shu showed different development trends.First,Wang Bian’s poems lived in both the Tang and Song dynasties.Wang Bian always adheres to the poetic tenet of taking truth as the most precious,fresh and handsome,beautiful and beautiful.On the one hand,the poetry is highly educational and rational,with the style of Song poetry.On the other hand,Wang Bian’s poems have many articles that reflect the reality,which are concise and easy to understand,express their feelings directly,and have the style of the Middle Tang Dynasty.Second,Wang Shu’s poems changed from Tang Dynasty to Tang and Song dynasties.Wang Shu’s early poems have many sorrows of his hometown,among which the seven-character songs are like Meicun poems,which have the feeling of singing and sighing three sighs,and have the style of Tang Dynasty;in the later period,the poems are sentimental,concise and interesting by means of magnificent mountains and rivers.In a word,Wang Shu’s poems had a sense of gloomy camel thorns in the early stage and turned into a calm and handsome style in the later stage.