A Study On The Reception Of Wang Anshi’s Poetry In The Qing Dynasty

Wang An-shi is a unique writer in the literary world of Northern Song Dynasty,a great craftsman of poetry and one of the eight great families in Tang and Song dynasties.His poetry has always been paid close attention to in the later generations,and has been widely evaluated and accepted in different periods.On the basis of previous studies,this paper combs the acceptance of Wang An-shi’s poetry in Qing Dynasty from the two aspects of Qing Dynasty poetry theory and Song poetry anthology,in order to supplement the deficiency of the research in that period.The introduction mainly introduces the research status,theoretical basis,research value and significance of the thesis,through the study of the current situation of poetry in the Qing Dynasty,the acceptance of Song literature in the Qing Dynasty,the current situation of Wang An-shi’s poetry research,discovery studies.There is still room for concentrated and in-depth study on Wang An-shi’s poetry acceptance in Qing Dynasty.The main body is divided into four chapters,the first three chapters mainly from the perspective of poetic materials before,in,and after the Qing Dynasty,through the Qing Dynasty poets and scholars’ comments on Wang An-shi’s poems,the criticism and acceptance of Wang’s poems are restored.The fourth chapter discusses and analyzes the anthology of Wang’s poems from the angle of anthology of Song poetry in Qing Dynasty.Chapter one: in the early Qing Dynasty,most of the poetry circles in this period respected Tang Dynasty and suppressed Song Dynasty,and the acceptance of Wang’s poems was centered on congratulatory clothes and Zha Shen-xing.In his "returning to elegance",he considered Wang An-shi the first person in Song poetry,and Zha Shen-xing took "Tang and Song dynasties as mutual references".The author holds that Wang An-shi’s study of Tang poetry was first-hand in Song Dynasty.Chapter two: in the middle of Qing Dynasty,the style of poetry in the Song Dynasty gradually occupied the upper hand,and the focus on Wang’s poems was Qianlong’s three families.In the poetics of "Spirit Theory",Yuan Mei holds a demeaning view of Wang Shiduo and highly values his works of expressing his true feelings in his later years.Zhao Yi is close to Yuan Mei’s theory of poetry and refutes Wang’s poems,and chooses the method of poetry creation which is opposite to Wang’s poems,which belongs to indirect study.Jiang Shi-quan is the most revered among the three families,from his five poems is the most obvious performance.Chapter three: late Qing Dynasty The poetry style of the prefer the Song poetry dynasties developed to the peak,and the acceptance of Wang poetry was mainly represented by Fang Dong-shu and Tong-guang poets.Fang Dong-shu comments on Wang’s poems from the view of ancient writers,which enriches the contents and levels accepted by Wang’s poems.The poet of Tong-guang School,represented by Zheng Xiao-xu,also liked Wang’s poems,and actively studied Wang’s poems in the creation of poems.Chen Yan,a poem critic,often took Wang’s poems as the standard,and his acceptance of Wang’s poems reached a peak.Chapter four: the acceptance of Wang Poetry in the selected Book of Song Poems in the Qing Dynasty,mainly through the comparison between the selected Poems of the Song Dynasty and the selected Poems of the Modern Song Dynasty in the Qing Dynasty,it is concluded that Wang An-shi is more pleased with the poems of the Song Dynasty.More than twenty famous articles are welcomed.This paper also discusses and analyzes the anthology of Wang’s poems in four selected books of Song Dynasty Poetry Notes,Song Poetry Bibliography,thousands of Poems of Song Dynasty,and studies and accepts the situation from the selection of Wang’s poems in the four selected books of Song Dynasty Poetry Quintessence of the Song Dynasty,and the selection and acceptance of the king’s poems from the perspective of the king’s poems.