Research On The Acceptance, Enlightenment And Practice Of Yang Ningshi's Calligraphy In The Northern Song Dynast

The Song Dynasty was the heyday of the development of calligraphy art.Yang Ningshi was widely recognized in this period with its unique calligraphy charm,forming a multi-face calligraphy style and spreading in the Northern Song Dynasty.In this paper,the acceptance of Yang Ningshi in the Northern Song Dynasty as the research objective,mainly from the Yang Ning style of ink works and calligraphy on the wall of the spread of Yang Ningshi of calligraphy.After going through the strict art form of the Tang Dynasty,calligraphy began to develop into the "Shang Yi" calligraphy of the Song Dynasty,which pursued the charm and expressed personal feelings.The theory of "Yan Yang" advocated by Su Shi,Huang Tingjian and Mi Fu in the Northern Song Dynasty highlights the important position of Yang Ningshi in the history of calligraphy.Yang Ningshi was born into a famous family,and his honest and upright character was advocated by the Song Dynasty "on people and books".At the same time,on the basis of being deeply influenced by Buddhism and Taoism,Yang Ningshi combined the realm of Zen with calligraphy,which had a certain influence on the Zen thought of Song Dynasty.The admiration of people in Song Dynasty for Yang Ningshi’s "dispersing monks into sanctification",to some extent,was also affirming and accepting the image created by Yang Ningshi.Calligraphy is always inherited and applied by later generations along a certain cultural context.In the practice of creation,the author has digested and studied Yang Ningshi’s multi-face calligraphy style and works,combined the formula in Yang Ningshi’s calligraphy with the interest of highlighting personal emotions,and explored new possibilities instead of just describing the brushwork,so as to form his own style of writing.