Research On Calligraphy Style Of "Huo Yang Stele" In The Northern Wei Dynasty And Its Creation Enlightenment

"Huoyang Stele" is the oldest and best-preserved historical inscription among the existing Northern Wei Dynasty inscriptions in Shanxi Province.It carries the historical and cultural information of this period and has important academic research value.Its artistic style is a change based on the inheritance of the previous generation,and also contains the common characteristics of other inscriptions in the Northern Wei Dynasty.This article takes the "Huo Yang Stele" as the research object,and it is divided into seven parts.The first part is the introduction part,which mainly expounds the purpose and significance of the topic selection,and sorts out the relevant research documents of "Huo Yang Stele" and analyse.The second part first introduces the general situation of "Huo Yang’s Stele" and sorts out the debate on its authenticity,and secondly makes a correction and interpretation of the relevant records of "Huo Yang’s Stele".The third part explores the formation reasons of the characteristic calligraphic style of "Huo Yang Stele",and analyzes the calligraphy art characteristics of "Huo Yang Stele" in detail,and analyzes the brushwork,structure and composition of the stele.The fourth part puts the "Huo Yang Stele" in the environment of the Northern Wei Dynasty steles for comparative study.The author selects the famous steles of the Northern Wei Dynasty in the Pingcheng period and the Luoyang period,and makes a comparative analysis with the "Huo Yang Stele" in terms of pen and characters,It can be concluded that "Huoyang Stele" is a transitional calligraphy style from the Pingcheng period to the Luoyang period,and the degree of regularization is obviously higher than that of the Wei stele in the early Pingcheng period,and it is close to the "Luoyang style".The fifth part analyzes the works and creations of "Huo Yang Stele" written by Zhu Jia,Wei Junxiu and Wang Shuqiu,three modern and contemporary calligraphers,examines its source,explores its characteristics,and gives the author great inspiration in copying and creation.The sixth part starts from the clinical practice of "Huo Yang Stele",and seeks to grasp the calligraphy style characteristics of this stele in the process of copying and creating.The last part is the conclusion,which is a summary of the main research content of this paper.