Yang Ningshi And His Calligraphy Research

Based on the literature research method, in the principle of seek truth from facts, based onobjective data, based on a large amount of Yang Ningshi’s related to calligraphy literature andtheory books, as well as Yang Ningshi handed down the book traces and so on data analysis,summary, induction, consolidation, from perceptual knowledge to rational knowledge, from thecultural background of times, trying to calligraphy style and Yang Ningshi’s calligraphy historystatus and significance and so on, Yang Ningshi’s calligraphy and the art spirit connotation,origin, aesthetic and practical significance of several aspects such as the collation, analysis andsummary of comprehensive, and drew out with Yang Ningshi’s calligraphy aesthetic thought,aesthetic meaning and significance in the history of calligraphy. Point of view. Namely, YangNingshi’s calligraphy art contains a " law " and "meaning " the perfect combination, show quietand a longitudinal unity of opposites and the Confucianism, Tao, Buddha fusion calligraphycharacter. While these his calligraphy art characteristic and the late Tang and Five Dynasties ofthe turbulent political social environment are closely related. Yang Ningshi’s calligraphy inculture and the arts from five generation become an independent school, and became connectedwith the " law " in Tang Dynasty and Song Dynasty " is intended to " bridge. His predecessorssince the “Fa” and the new spirit of art on the development of calligraphy art has importantinspiration.