Participating In The Reality: An Explanation Of The Creation Of The Documentary Video "Floating Childhood

Authenticity is the first life and essence of documentary.The real creative practice is the creator and subject constantly communication,needs to be done creator gradually in the process of filming.The authenticity of the documentary depends on the value of the creator,the photograph of a person or thing of cognitive level,and the in-depth degree of living places in the related subject,and communication with the communication between the subject and many other factors.Therefore,this paper will combine the creation practice of graduation work “Shaky Childhood” to elaborate how to deal with the relationship between creator participation,lens involvement and the shooting object in the creation practice.Through participation means,the author will continue to deepen the essence of the event,complete the real and complete story narrative,and realize the authenticity of documentary.This article is mainly divided into five chapters for exposition.First of all,it discusses the background of the topic selection to clarify the necessity of creating this work,sorts out and analyzes the research on the authenticity of documentaries and the current situation of the creation of documentaries about children’s education at home and abroad,summarizes the characteristics of the current domestic documentaries on the image of rural children,and discusses the research methods and difficulties in creation.and innovations are briefly explained.Secondly,it discusses the authenticity of documentaries from the two levels of authenticity of form and authenticity of content,and points out that in the creation of documentaries,the authenticity of content is greater than the authenticity of form,as well as the way and active role of participation and intervention.Then,on the basis of analyzing the deficiencies in the image-building of rural children in domestic documentaries,combined with my own practice before shooting,I further elaborated the strategy of excavating character images in the brewing stage.Thirdly,it discusses the means of deepening the character image in the field shooting stage,how to use the lens language to express the character,how to select the content elements to help shape the three-dimensional image of the character,and how to further explore the inner world of the character with the help of the interview elements to enrich the spiritual connotation of the character image.Finally,it discusses how to strengthen the character image through post-art processing and present it to the audience.Combining with the creative practice of the graduation work “Shaky Childhood”,the article proposes the concept of “Participation in Authenticity”,that is,how creators can record reality by intervening in objective real events through restricted participation,and creatively process it based on natural materials to finally complete the documentary reality.In order to provide a way of thinking and an experimental demonstration for the authenticity creation of documentaries.