Research On The Narrative Art Of Guizhou Red Film And Television In The New Er

As an indispensable part of the field of Chinese literature and art,Patriotic films and television dramas have attracted a wide audience with their unique artistic charm since their birth,and have created and continued China’s history and culture with their unique audiovisual language characteristics.Guizhou literary and artistic workers integrate Patriotic film and television with local characteristics to create Patriotic film and television works with great regional and national characteristics.Based on structuralist narratology and film and television narration,this study takes Guizhou Patriotic film and television dramas in the new era as the research object,conducts in-depth analysis from the aspects of character narrative,language narrative and narrative structure,and explores the aesthetic meaning and artistic expression in Guizhou Patriotic film and television dramas in the new era.The first chapter explores the character narratives of Guizhou Patriotic Film and Television in the new era.The characters in the new era Guizhou Patriotic film and television dramas have broken through the stereotype of Facebook and flattening,and created a more diverse character image,mainly manifested as personalized heroic characters,multi-level negative characters and female characters with the characteristics of the new era.Combined with Plup’s character function theory and Greymas’ s action meta-model,this paper analyzes the methods and techniques of character shaping in Guizhou Patriotic film and television dramas in the new era,and explains the functions and characteristics of characters in Guizhou Patriotic film and television dramas in the new era.The second chapter analyzes the linguistic narrative of Guizhou Patriotic film and television in the new era.In the new era,Guizhou Patriotic film and television dramas show unique regional styles and forms of expression in film and television language,highlighting the very connotative picture language from three aspects: light and shadow,tone and lens movement;Construct sound language from the three elements of vocals,music and sound;The three techniques of cross-montage,repetition montage and metaphorical montage are used to explore the artistic power and expressiveness of Guizhou Patriotic film and television in the new era.Chapter 3 analyzes the narrative structure of Guizhou Patriotic film and television in the new era.In terms of narrative structure,Guizhou Patriotic film and television works in the new era develop a narrative structure of double-line parallel and multi-line interweaving on the basis of the traditional linear narrative structure.In terms of narrative perspective,it gradually shifts to "internal focus" on the basis of "zero degree focus";In terms of narrative rhythm,new transcendences have been made in the processing of time and the setting of narrative sections.