A Study On The Tang Copy Of Wansui Tongtian Ti

Viva Tiantia is a copy of Wang Xizhi family calligraphy handed down in the Tang Dynasty.Tang people with hard yellow paper double hook ring extension carefully copy the couch,collection inside the house.The formation of this post is of great significance in both academic and calligraphy research and creation.The Tang copy of "Viva Tongtian Tian" includes seven and ten Wang family members,which are representative works of the Wang family.As we all know,there are no authentic Wang Xizhi works left in the world,and even few Wang family works are circulated.Therefore,"Viva Tongtian Tian" based on the authentic Wang family works is even more precious.The Tang copy of "Viva Tongtian Tie" has the reputation of "first class original".The exquisite hook copying technology combined with the influence of Wang family’s works,"Viva Tongtian Tie" should have been given full attention in the process of spreading,but it was despised in the process of spreading,which is a pity.Although there have been many different versions of "Long Live Tongtian Tie" in the later generations,they are all copied and printed based on the Tang copy,so the artistic value of the later versions cannot be compared with that of the Tang copy.This paper analyzes and demonstrates the value of "Viva Tongtian Tiet" from the aspects of its copy technology,version,uniqueness,techniques and influence on the later generations,proving that it is a classic model that has been underestimated and has high research value.This paper mainly uses the text analysis method to summarize the different versions of "Viva Tongtian Tie";This paper uses the literature research method to classify and analyze the couch technique of "Long Live Tongtiantie".The main purpose is to analyze the formation process from all aspects of the post,so as to demonstrate its artistic value.This paper is mainly divided into five chapters:The first chapter is an overall overview of the Tang facetwork of "Viva Tongtian Tietwork",which mainly discusses the background,main content and spreading experience of the post.As a whole,it summarizes "Viva Tongtian Tietwork".It can be seen that "Viva Tongtian Tietwork" is a facetwork with reliable sources and detailed records,with rich content but tortuous spreading experience.The second chapter mainly discusses different versions of Viva Tongtian Tiet.Although Viva Tongtian Tiet was copied in the Tang Dynasty,different versions of Viva Tongtian Tiet as a model appeared in the propagation process of later generations due to the representative works of the Wang family included in it and the influence of the Wang family in the history of calligraphy.For example,it was printed in the "True Appreciation of Zhai" in Huayxia in the Ming Dynasty,the "Stop Yun Guan" in Wen Zhengming in the Ming Dynasty,and the "Yu Gang Zhai" in Wang Kantang.However,among them,the Tang copy is the most accurate.In the process of copying the couch,the Tang copy used the hook and copying technology of hard yellow double hook extension.The hard yellow double hook ringing extension technique can be said to be the best couch copying technique,which is also one of the main reasons why "Long Live Tongtian Tie" has great historical value.In addition,later generations praise the Tang copy more because in the process of spreading,Wang’s authentic copy is likely to be missing,so the Ming edition is printed with the Tang copy as the base,while the Tang copy as the base,the difference is clear.The third chapter mainly discusses from the perspective of the uniqueness of the Tang copy of "Viva Tongtian Post".The most distinctive place in the Tang copy of "Viva Tongtian Post" is that it contains the calligraphy works of a master of Wang’s family.In other versions of "Viva Tongtian Post",there are printing errors or circulation loss.Only the Tang facsimile is closest to the original and contains the most complete facsimile.On the one hand,we can get a glimpse of the book-style relationship of the Wang family in succession in the Tang facsimiles,on the other hand,by including different works of the Wang family in a post,we can compare the works of the Wang family more clearly,such as "Two Kings" and his son,Wang Shengqian and his son,etc.The position of the Wang family in the history of calligraphy is indelible,and its role and influence cannot be ignored.In the two Jin and Southern and Northern Dynasties at that time,the Wang family promoted the integration of the writing styles of the North and the South,and also played a role in the inheritance of the writing styles of the later generations.The most important feature of "Viva Tongtian Tiet" is the exquisite techniques in the works of Wang.Although all of them are from Wang’s family,they are also different in terms of brushwork.Many of the works included in the collection are even the ink works handed down by calligrapher,so they are especially precious.The fourth chapter mainly discusses the acceptance of the Tang copy of "Long Live Tongtian Tie" by the present world.The evaluation of "Long Live Tongtian Tie" by the later generations is all highly praised.With the increasing popularity of "Viva Tongtian Post",more and more people know about "Viva Tongtian Post",the influence of "Viva Tongtian Post" is also increasing.The author believes that the Tang copy of "Viva Tongtian Tie",as a collection of works of a master of the Wang family,has a very fine hook and copy technology,and the "two Kings" authenticity is likely to no longer exist,so more attention should be given to "Viva Tongtian Tie" in the process of spreading,give its higher artistic value.