A Study On The Creative Calligraphy Of"Yangzhou’s Eight Eccentric Artists"

"The Eight Eccentric Artists of Yangzhou" refers to a group of creative calligraphers and painters who took Yangzhou as the center of activities in the 18 th century.They rose abruptly in the long history of inheritance and development of calligraphy and dare to break through the bondage of authentic calligraphy and painting.On the basis of inheriting the tradition,they have created a new situation with bold innovation and personality publicity,which has an important influence on the development of Chinese painting and calligraphy.This research starts from the problem of "likeness and unlikeness" in the process of calligraphers’ creative work,which are relatively less discussed before.By sorting out and analyzing the creative works of "The Eight Eccentric Artists of Yangzhou",this paper explores the causes and manifestations of the creative concept of the Eight Eccentric Calligraphy Group in Yangzhou,and explains the development and evolution of Calligraphers’ calligraphy style,creative concept and artistic pursuit since ancient times.Based on the previous research,this paper takes a calligraphy perspective and uses the methods of literature collection,analysis,induction and on-the-spot investigation.The study focuses on the creative ideas and works of calligraphers representing the Eight Eccentric Artists in Yangzhou.It also explores the reasons why ancient calligraphers choose the person as his learning object in the process of creative calligraphy,the relationship between imitation works and creative works and their deep-seated reasons.The full text is divided into four chapters,which are "looking back and inheriting" the calligraphy in the exhibition of Ba Da Shan Ren Memorial Museum,the analysis of the creative calligraphy phenomenon of "The Eight Eccentric Artists of Yangzhou",the analysis of the creative calligraphy ideas of "The Eight Eccentric Artists of Yangzhou",and the enlightenment brought by the creative concept of Yangzhou Eight Eccentric Calligraphy.At the end of the paper,the author combines the idea of "one family,one copybook for calligraphy" advocated by the training center of Jiangxi Calligraphy Association,dialectically explore the truth and deduces the teaching mode of ancient calligraphy,and demonstrates how to learn from the past and how to pursue innovation and development on the basis of inheriting the predecessors.This study takes the opportunity of "looking back and inheriting" the exhibition of Ba Da Shan Ren Memorial Palace Museum collection,with a historical perspective,it selects typical cases and combines the characteristics of the times.This study makes in-depth analysis and discussion,hoping to enlighten the problems encountered in the process of calligraphy creation.