The Use And Practice Of Ethnic Minority Musical Elements In Instrumental Performance

At present,the study of ethnic minority music has achieved great results in the field of instrumental performance,and instrumental works are carried out according to ethnic music elements and modern composition techniques The practice of "localization" is gradually becoming a trend.This paper takes erhu’s work "Rhapsody of the Third Erhu" as the research object,and discusses it from the three dimensions of "text analysis","music analysis" and "performance analysis".First of all,through the analysis of the structure and morphology of the work,the use of ethnic minority musical elements in the work is expounded,so that it can be presented Secondly,the analysis of minority music elements on the basis of secondary creation will promote the formation of breakthroughs and innovations in playing techniques,and the performers will interpret and grasp the works through the level of musical culture concepts,so as to make the performance It is more in line with the aesthetic context,further strengthening the renewal of traditional techniques.This interactive logic of relevance provides a new perspective and inspiration for the performance practice of ethnic minority works in the future;finally,instrumental performance should be based on musical works The perspective focuses on the "person" as an artist and the cultural connotation of the work,precisely because of the elements of ethnic minority music The profound and pluralistic traditional cultural core of the Chinese nation has led to the formation of a unique personality in the creation and performance of the current ethnic music school.