The Study Of Wang Jianming’ Er Hu Rhapsody

The four "Erhu Rhapsody"s of Wang Jianming are the markable works in contemporary Erhu works, he will "match well of Chinese and western novels, showing" the creation of the idea in his works, making his works with a high degree of artistic quality, academic value, also create beautiful and graceful melody with its deep melody writing foundation of basic skills to won the praise of the audience on the aesthetic and highly appreciated. His works learned from the western composing technique and style, and on this basis, innovation with the traditional style and folk music element structure, make our folk music to be seen all over the world in a whole new way. Wang doing his business with excellence, constancy, and strive to break through, and grasp the works well in each Angle degree of innovation, strive for to promote the technology, the difficulty of the design works from the perspective of the composer and techniques, etc., and then promoted the development of erhu and erhu disciplines. This article will analysis the four "Erhu Rhapsody"s systematically, summarize the technique and characteristic. Compare with the No.1 and No.2 Erhu rhapsody of their two accompaniment versions (with national orchestral music or western symphony), learn more about erhu works with two bands of differences and similarities. Analyzing the collected two manuscripts of the Erhu Rhapsody No.4, clarify the creation of its context, so that we can understand deeper of the composer’s dynamic creative thought and philosophy essence. In addition, from the perspective of music theory, combined with the composer’s point of view, the four "Erhu Rhapsody" play the present situation and the common problems are listed and corresponding corrective suggestion is given. Finally synthesizing the differences and relations of the four "Erhu Rhapsody"s piece by piece, and further summarizes the composer’s technique and characteristic of creation to provide information for reference for later generations.