| With the continuous breakthrough in the technical difficulty of modern erhu works,how to reasonably arrange the bow fingering has increasingly become a "difficult problem" for every performer to learn works.The rational use of bowing not only affects the physiological function of fingers and the pronunciation of performance,but also concerns whether the performer can express the connotation of music naturally and correctly.This paper takes Wang Jianmin’s rhapsody of the Fifth Erhu as an example,through the interpretation of the core of the work,as well as the author’s own learning and playing practice,deeply explores the importance of bow fingering to music performance,so that players can draw inferences from it and provide ideas for solving such problems. |