The Origin And Performance Of The Lyric "Bodhisattva Barbara:Overlapping Hills And Golden Light"

With the broadcast of "Legend of Concubine Zhen Huan",the song "Bodhisattva Barbara-Small Mountain Overlapping Gold and Brightness" once again came into the public eye and was loved by the public.This song was written by Wen Tingjun,a lyricist of the Tang Dynasty and a representative of the "Flower School",composed by Liu Huan and sung by Yao Beina."As a lyric,"Bodhisattva Savage" first appeared in the Tang Dynasty and flourished during the Tang and Song Dynasties until the late Southern Song Dynasty when it gradually declined.The number of lyric works of "Bodhisattva Barbarian"ranked third among all the lyric works of the Tang Dynasty,with 86 lyric works written by 17 famous lyricists,including Wen Tingjun and Li Bai.In the Song Dynasty,there were 609 compositions of "Bodhisattva Barbarian",which ranked the fifth in that time,written by famous lyricists such as Li Qingzhao,Xin Qiji and Su Shi.It depicts the beautiful and gentle appearance of women in a profound and vivid way,setting off the loneliness and desolation of the heroine with gorgeous scenery,and portraying the tragedy of women and the callousness of men in a contrasting way.The work as a whole is a progressive emotional drive,expressing the heroine’s despondent and melancholy lament.This paper explores in detail three aspects of "Bodhisattva Barbara-Overlapping Gold and Brightness on a Small Mountain",starting from the origin of the lyric tune "Bodhisattva Barbara",which can be traced back from the Tang Dynasty to the Song Dynasty,from its prosperity to its gradual decline,analyzing and exploring the song of Bodhisattva Barbara and combining it with musical singing styles to better interpret the work.