The Enlightenment To My Creation From The Study Of Decorative Color Of Buddhist Mural Paintings In Sui And Tang Dynasties

Sui and tang dynasties,Buddhism spread gradually show the trend of "Chinese style",spreading way besides buddhist sutras still further introduced plastic arts become an effective way to promote the buddhist doctrine and thought,including the grottoes carved,buddhist statues,paintings,etc,the buddhist murals are particularly thriving,become the later observation,cognitive sui and tang dynasties is an important aspect of painting.In addition to inheriting the stories of origin,cause,and Buddhism in the Wei,Jin,Southern and Northern Dynasties,Buddhist murals in Sui and Tang Dynasties added the theme of "Jingchang-story" based on the popularity of Pure Land sect.Its grand narrative scene and complex and exquisite composition showed the new development of Buddhist art in Sui and Tang Dynasties.In terms of artistic language,the Buddhist frescoes in Sui and Tang Dynasties also have a new transformation,especially after the traditional painting of Central Plains in the integration of the Western regions from the "concave and convex painting",on the one hand,the expressive force of the lines is further improved,making the Buddhist frescoes present a certain sense of volume,sky clothes flying,full wall wind.More importantly in colour respect,the painter with the use of mineral pigments,clever use of all kinds of bright color harmony in the picture,will the use of color has reached the extreme,can highlight the depicted objects of special identity and status,at the same time create a solemn generous,elegant decorative effect.This paper will take the sui and tang dynasties buddhist murals decorative color research,the main influence and form as the breakthrough point,on the one hand,through to the subjectivity of color murals,plane,rules and multidimensionality,line function to discuss this period murals present a decorative style,on the other hand is based on the professional direction of the author,based on the research of the sui and tang dynasties buddhist murals decorative color,Explore its graduated from painting creation and creation of the author and the influence of the enlightenment,the author tried to ink,a variety of techniques and traditional Chinese realistic painting and freehand brushwork in traditional Chinese characters,flowers and birds,landscapes,and other subject to experiment,and draw lessons from the sui and tang dynasties,absorb and fusion buddhist murals decorative color characteristics,the final graduation work in continuous exploration of the creation of the "spring".The theoretical research on the decorative color of Buddhist murals in the Sui and Tang Dynasties and the practice of graduation creation are also the author’s "activation" of traditional art from the perspective of cultural revival,which is a beneficial attempt for the innovative development and creative transformation of traditional culture.