The Characteristics And Application Of The Mural Art Language Of The Huyangdun Buddhist Temple Site In Hetian,Xinjiang

The murals of the Huyangdun Buddhist Temple site are located in the Hexi Corridor,which is a part of the Silk Road civilization.It belongs to the ancient Buddhist art in Khotan.In Chinese history,Khotan art has had a non-negligible influence on the development of murals.This article takes the murals of the Huyangdun Buddhist Temple site in Hetian,Xinjiang as the research object.This group of murals contains extremely high artistic value and historical information value,and provides precious image materials for the study of the cultural history of the Western Regions.By analyzing the characteristics of the artistic language of this group of murals,the article transforms and uses the mural form,color line,and material trace language in personal creation,and thinks about the relationship between the multiple artistic heritage of ancient murals and individual life,and puts The concept of protection of murals is presented in personal creation.The article is divided into four chapters.Since the murals of the Huyangdun Buddhist Temple site present a blend of different cultures,the article first draws out the historical and cultural background of the region,and conducts a comparative analysis of the images of the murals.The second chapter aims to study the characteristics of mural art language under the multi-art communication mode,and specifically analyze the characteristics of mural modeling performance,line and drawing techniques,color and material texture.In the third chapter,based on the imitation practice of this group of murals,three mural base production schemes are obtained,and the method of making mural texture traces is explored,so as to better restore the current form of murals and lay a foundation for the author’s creation.The fourth chapter selects the theme of personal output,and uses the results of the practice of copying and the artistic characteristics of this group of murals to explain the author’s creation of the relationship between the individual and the historical and artistic heritage through the murals of the Huyangdun Buddhist Temple site.