Audiovisual Laser Installation And The Theory Of Audiovisual Scenography

Laser as a new material being used by art creators,it is becoming increasingly common in gallery exhibitions,however the visual output of the medium of lasers can easily create a sense of similarity and a high degree of homogenization in the work.The fusion of sound can expand its possibilities and this structural paradigm is becoming mainstream.This paper takes the concept of “audiovisual scenography ”proposed by Michel Chion in “ L’audio-vision ”as an entry point from my personal practice,examines and analyses the various basic components of audiovisual laser installations,incorporates the“added value” generated by sound into the discussion of the audiovisual language of audiovisual laser installations,investigating the presentation of audiovisual laser installations in art space,rethinks the logic of the construction of audiovisual perspective,explores the perception of the laser medium in space,and promoting the iteration and evolution of the works.