Research On Landscape Narrative Of Tibetan Documentaries

With the holographic penetration of image technology,the documentary focusing on Tibetan natural scenery and cultural customs has shaped a beautiful media landscape,and has become an important narrative strategy to show the cultural charm of Chen Qi.Based on the theory of narratology,this paper will take Tibetan documentary as the research object,combine typical samples such as roof of the world and the graduation work Wheat is Yellow,and discuss the landscape narrative of Tibetan documentary,in order to provide a new way of thinking for Tibetan documentary research.First of all,in terms of narrative themes,Tibetan documentaries are presented in three dimensions,such as "labor landscape","belief landscape" and "game landscape",thus showing the image narrative core of Tibetan customs,elegant taste and the moral character of Tibetan people.Secondly,in terms of narrative language,Tibetan documentaries use visual symbols and sound rhetoric to construct Tibetan image landscape.Among them,Tibetan ecological symbols and folk symbols,as the visual "perceivers" of Tibetan culture,have narrowed the distance between Tibetan culture and the audience,enabling the audience to gain meaning through visual viewing.At the same time,Tibetan speech,Zen narration,Tibetan music and other voice rhetoric have also improved and optimized the interest and aesthetics of the image landscape,and enhanced the emotional expression of the documentary.Thirdly,from the narrative perspective,the Tibetan documentary deepens the narrative connotation of the image landscape,presents the whole picture of Tibetan culture through the omniscient and all-powerful zero-focus perspective,perceives Tibetan people’s emotions through the internal focus perspective that permeates individual emotions,and then shows Tibetan simple daily life through the external focus perspective of observing and recording,and shapes Tibetan cultural memory from multiple perspectives,so that the Tibetan documentary becomes an image landscape that conforms to the audience’s aesthetics.Finally,the landscape narrative of Tibetan documentary has important value,which not only constructs Tibetan cultural identity,but also marks the uniqueness of Tibetan culture and the sense of ethnic identity.Moreover,it is rich in Tibetan image atlas,and the image landscape bears the important function of "the place of memory";It also coordinates the inclination of social aesthetics,bridges the gap between cultural heritage and economic development,spiritual needs and material needs,and gives spiritual enlightenment to people in modern society.