On The Poetic Construction And Artistry Of The July Poetry School

Throughout the long history of literature,it is not difficult to find that the position of July Poetry School in the history of modern Chinese literature cannot be ignored.As an important literary phenomenon in the history of modern Chinese literature,the July Poetry School inherits the tradition of Chinese Realistic Poetry and embraces a variety of literary forms abroad.It has been active in Chinese poetry for 20 years since the 1930 s.July Poetry School pays attention to the unity of "poetic heart" and "reality" in aesthetic pursuit,and forms the unique beauty of power in poetry from three aspects: language,image group and poet’s emotion,and realizes the balance between thought and art.From the perspective of modernity,the July Poetry School is a unified poetics theory of subjectivity and objectivity based on the "subjective war spirit" proposed by Hu Feng and the poetics theory of "the beauty of prose" proposed by Ai Qing.The creation of July poetry school can not only be used as evidence to witness that period of history,but also reflect the spirit and pulse of that period,but also stimulate the readers’ fighting spirit.There is no doubt that the July Poetry School bravely broke through the barriers of the development of new poetry in the wartime environment,integrated and balanced the political reality and aesthetic ideal.Its poetic theory and aesthetic tendency not only enriched the history of Chinese new poetry,but also left valuable literary wealth to future generations.The creative achievements of the July Poetry School are obvious to all.This article starts with the analysis of poetic construction and aesthetic tendencies of the July Poetry School,which can make us break through the original prejudices,help to reflect on the past and future of the development of Chinese new poetry,and put forward some constructive suggestions for the modern development of the July Poetry School.