Research On The Influence Of Han-Wei-the Six Dynasties Poetry In "Tongguang Style" Poetry

Han-Wei-the Six Dynasties poetry had an important influence on the formation of the style of the "Tongguang Style" poetry.This thesis takes "Tongguang Style"poets such as Zheng Xiaoxu,Chen Sanli,Shen Zengzhi as the research objects,and tries to restore the "historical scene" that formed their poetic theory and classic poetry style,so as to dig out the rich aesthetic connotation contained in the "Tongguang Style"poems.The thesis is divided into three chapters.The first chapter combs the relationship between the poems of "Tongguang style" poets and Han-Wei-the Six Dynasties poetry."Tongguang Style" poets such as Zheng Xiaoxu,Chen Sanli,and Shen Zengzhi generally had the experience of studying poems in Han-Wei-the Six Dynasties poetry intensively.In the early period of poetry exploration,Zheng Xiaoxu adopted the approach of "double lines" between Han and Wei poems and the poems of the Six Dynasties.Chen Sanli first studied Han and Wei poems and then the poems of the Six Dynasties,especially in Jin and Song poetry;after turning to Song Poems,the two still kept studying poems in the Han,Wei and Six Dynasties.Shen Zengzhi studied Han-Wei-the Six Dynasties poetry from the standpoint of "the poems of scholars",taking Yuanjia poems as a model of poetry.Among the poets of the Han-Wei-the Six Dynasties,Tao Yuanming and Xie Lingyun had the most profound influence on the"Tongguang Style" poets.The second chapter discusses the influence of Han-Wei-the Six Dynasties poetry on the poetic theory of "Tongguang Style".Zheng Xiaoxu’s poems using "fluent writing" and "shallow words and deep meaning" showed his acceptance of the aesthetic traditions of Han and Wei poetry,especially Tao’s poetry.The landscape point of "pursue freshness and beauty" was also inspired by Xie Lingyun’s landscape poems;Chen Sanli was greatly influenced by Tao’s poems,and took the style and features of Tao’s poems "express strong feelings in gentle words" as the poetry creation criterion,and extended this criterion to the aesthetic pursuit of poems by the survivors;Shen Zengzhi included Yuanjia poems in the theoretical system of his"Sanguan" theory,and his "Yarenshenzhi" theory implied a tendency to take Yan Yanzhi and Xie Lingyun’s poetic styles as artistic connotations.In his poetic theory,he changed from "Sanyuan" to advocating "Sanguan" theory.In the evolution of his poetic theory from the "Sanyuan" of the original version to the "Sanguan" of advocacy,the re-understanding of the poems of Han,Wei and Six Dynasties also played a key role.The third chapter discusses the influence of the Han-Wei-the Six Dynasties poetry on the poetry writing of "Tongguang Style" poets in mature period.Zheng Xiaoxu inherited the aesthetic traditions of Han and Wei poetry,and had many references to Han and Wei poetry in terms of structure,language style and rhetoric techniques,making his five-character poems,especially the elegiac poems,show the aesthetic style of Han and Wei poetry;Chen Sanli’s poems fully preserved the image group of Tao’s poems expressing political sustenance and seeking liberation,and endowed them with realistic meaning under the background of the late Qing Dynasty and the Republic of China.The sceneries in his poems were not lacking in reference to the traces of Xie Lingyun’s landscape poems;Shen Zengzhi’s creations "True Jin Song Poetry" was a model of fusion of landscape and metaphysics.Its poetry techniques were inspired by Yuanjia poems.Shen’s five-character ancient poems also consciously learned from Han-Wei-the Six Dynasties poetry at the level of language,so his poems showed obvious poetic style in the Han-Wei-the Six Dynasties poetry.