A Study Of The Late Poetry Of The Min School In Tongguang Style

The Min School of Tongguang Style is the most influential branch of Tongguang Style Poetry School,especially the late Min poets represented by He Zhendai and Li Xuangong,who inherited the poetic purpose of Tongguang Min School of "not sticking to the flourishing Tang Dynasty",and disseminated the Min School’s poetic theory through frequent activities of association and elegant collection,as well as modern periodicals and magazines.With He Zhendai and Li Xuangong as the center,this paper studies the creation and communication,poetic style,subject matter and cultural contribution of the Min School of Tongguang Style in the later period,with a view to positioning the Min School of Tongguang Style in a new way.This paper is divided into four chapters.The first chapter introduces the poetry creation and communication of the late Tongguang Min poets,trying to show the general situation of the development of the late Tongguang Min poets.The second chapter analyses the poetry and style of Min School of Tongguang Style in its later period,and analyses its continuation of Song Dynasty’s poetry and its new understanding of creation.The third chapter interprets the theme and content of the later Tongguang Min poetry,focusing on the poetry creation of He Zhendai and Li Xuanggong,such as the poems of traveling in landscape period,sentimental poems and chanting objects.Chapter Four analyses the contribution of Tongguang Min School to modern culture in the later period,and shows the contribution of He Zhendai and Li Xuanggong to the survival of modern and old-style poetry.