Study On The Dramatic Creation Method Of Recitation

Recitation,as a common art form in contemporary society,carries substantial cultural and aesthetic power.However,the recent wave of enthusiasm in recitation competitions and activities has surfaced issues of ’over-commercialization,standardization,and performance scale exceedance,particularly visible in recitations with a "dramatized" inclination.’ To address these issues,this research delves into the dramatized creation method of recitation,scrutinizing its theoretical foundations,unique characteristics,and implementation paths,with the aim to derive conclusions that balance theory and practice.This paper positions recitation as its primary focus,exploring the essence and execution of its dramatized creative methods,utilizing an array of research methods,including literature review,observation,interviews,and inductive reasoning.Starting with a historical overview of recitation,the study provides a thorough examination of the current state of recitation creation,specifically regarding the emergence of professional and public recitation arenas and the personalization in recitation creation methods.Further,the paper dissects the theoretical origin of dramatized recitation,guided by the "dramatization" trend and the "Stanislavski System." The insights garnered from practical implementations of dramatized recitation,alongside the performance creation philosophy of the "Stanislavski System," illuminate the study,elucidating the simultaneous importance of "experience" and "expression," the journey to subconscious engagement through conscious preparation,and the formation of a new audience-performer relationship within the "fourth wall" concept.Moreover,the study draws upon artistic and aesthetic theories to delineate four distinctive traits of dramatized recitation,namely performance-oriented,emotive,integrative,and harmonious.During the research process,the author conducted an interview with recitation artist Yao Xijuan and proposed the implementation path of the dramatic creation method of recitation based on the interview content and the author’s personal recitation practice experience.This implementation path can be divided into five closely related links,including the establishing authenticity with "I Am",the gathering of points into lines through movements,the subconscious capture during concentration,the dynamic flow of imaginary images,and the overall design coordination.