The Application Of His "Consciousness" Theory In The Original Drama "Red Flame" | Posted on:2024-02-04 | Degree:Master | Type:Thesis | Country:China | Candidate:J L Huang | Full Text:PDF | GTID:2545307112478144 | Subject:Arts | Abstract/Summary: | PDF Full Text Request | Soviet dramatist Stanislavsky put forward the theory of "subconscious" performance creation through "conscious" technology according to his own theory and practice.This theory is one of the core contents of the whole system.What Stani explored all his life is to make actors get rid of false performance on the stage and consciously realize the method and technology of subconscious creation.Steiney theory is one of the important schools of drama in the history of world drama.It not only leads the development of drama theory,but also provides a scientific reference standard for drama researchers and actors.The development of Chinese contemporary drama is closely related to the Steiney system.Since the Steiney system was introduced into China in 1930,the dramatists began to apply the Steiney theory to the creation of Chinese drama.Through the research,it is found that the conceptual research content of the domestic scholars on the theory of "consciousness" is sufficient and has a comprehensive theoretical guiding significance.The systematic theoretical and practical research is very important for the development of Chinese drama art.The author applies the theory of "consciousness" of Stanny to the performance and creation of the original drama Red Flame.Through the guidance of "consciousness" theory and practical practice,the author completes the creation of the roles in the play,and summarizes the empirical methods to provide practical accumulation for the development of "consciousness" theory. | Keywords/Search Tags: | Stanislavski system, Subconsciously, Performance and creation, Role building | PDF Full Text Request | Related items |
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