A Study Of Dystopian Thought In László Krasznahorkai’s Early Novels

Taking the early novels of László Krasznahorkai as the research object,by combing the text presentation of dystopian thoughts in his early novels and analyzing the existence of human beings,we can analyze the spatio-temporal construction of dystopian features in László’s texts and explore the aesthetic implications of dystopian thoughts in László’s early novels.The first chapter,"The Textual Presentation of the Dystopian Thought in Lá szló’s Early Novels",starts from the background setting and discusses the background of the plots in László’s early novels.The metropolis with the loss of the bottom line of ethics,the bankrupt and poor collective farm and the border town as the silent factory together form the dystopian stage in the novel.Secondly,it discusses the dystopian reality revealed in the plot description,including the constant occurrence of great deception,the violent revolution that loses the soul,and the pointless escape from the powerful.The second chapter,"The Existence of Human Beings under László’s Dystopian Thought in His Early Novels",discusses the living conditions of human beings in the dystopian world created by László.They are naked lives with double deprivation of political and economic rights,and human nature is distorted by false utopian promises and the evil topian reality,thus creating a strange and distorted relationship between people under totalitarianism.Creating a social atmosphere of group fear.The third chapter "The Spatiotemporal Construction of László’s Dystopian Thought in His Early Novels" firstly explores the fragmented time form in Lá szló’s early dystopian novels from the time dimension,which is a kind of transcendence of the traditional linear time form.Secondly,from the perspective of space dimension,it explores the structure of dystopian space binary opposition in László’s text,and analyzes the "classical-modern" dual mode contained in it.The fourth chapter,"The Aesthetic Implication of László’s Dystopian Thought in His Early Novels",analyzes the features of postmodernism in his early novels.The text technique endows the novel with unique aesthetic value,the symbolic image dispels the boundary between the imaginary and the real,and the shifting narrative perspective under multiple discourses provides multiple possibilities for aesthetic interpretation.László’s early novels have typical dystopian thought.In the text annotation of this thought,László’s deep thinking on the Hungarian national spirit and human soul is integrated,and he expresses his deep sorrow for the universal human nature sinking helplessly under the historical tragedy.