Research On Lu Shuyuan’s Ecological Literature And Art View

Since the 1990 s,"ecology" has gradually become a key word in China,which is frequently used by organizations in various fields,and ecological problems have become a major problem that everyone can deeply perceive and cannot avoid.At the same time,how to solve this problem,from administrators to ordinary people,from scientists to writers,are thinking and expressing their own opinions,Lu Shuyuan’s ecological literature and art view is very representative in the field of ecological literature and art research.As far as the research system is concerned,the research on ecology is a complex and open system.To some extent,almost all disciplines can carry out cross-research with ecology,thus forming the research direction of "ecology".In the field of literature and art,the combination of ecology and literature and art can form ecological aesthetics,ecological poetics,ecological literature and art and other disciplines.Taking ecological literature and art as an example,the concept and theory construction of ecological literature and art mark the overflow of the problem consciousness of traditional humanities,from literary research to an interdisciplinary research,under the overall idea of the integration of horizons,Toward an interdisciplinary research track that integrates literature,theory and natural science.In this situation,through Lu Shuyuan’s ecological literature and art view,we can not only see the openness and dialogue of literature and art towards the natural world and the human world,but also feel the humanistic care truly conveyed by the humanities.First of all,by reviewing Lu Shuyuan’s academic path,we can find one consistent theoretical basis and source from several aspects,such as his academic process of trans-boundary research,the influence of Chinese and Western thought and culture,the ecological spirit presented by him and his reflection on current literature and art.Lu Shuyuan’s early academic practice,including literary psychology and literary linguistics,has implied the spiritual factor of ecological literary and art view.At the same time,Lu Shuyuan’s ecological literature and art view was gradually integrated under the multiple influences of Chinese and Western culture.Therefore,tracing Lu Shuyuan’s cross-boundary research process,analyzing the influence of Chinese and Western cultures and times on Lu Shuyuan’s thoughts,understanding the ecological literary and artistic spirit factors contained therein,and exploring how these spiritual factors are integrated and gradually mature can prove that Lu Shuyuan’s long-germinated ecological literary and artistic view is not only the product of the integration of various cultures.It is the embodiment of his own ecological spirit and the result of conscious reflection.Secondly,from the three aspects of "nature","society" and "spirit",the basic connotation of Lu Shuyuan’s ecological literature and art view can be comprehensively analyzed.As a kind of human spiritual activities,literary and artistic activities are closely related to the natural environment in which human beings live.Lu Shuyuan’s ecological literary and artistic view tries to put nature in the position of sympathetic sympathy with human beings through the way of aesthetic appreciation,so as to reintegrate human and nature.In the field of human culture,similar to nature,the advantages and disadvantages of social ecology also have an undeniable impact on literary and artistic creation.Pointing out the traps of modern society and revealing the poisoning of instrumental rationality on ecology and literature has become one of the connotations of Lu Shuyuan’s ecological literary and artistic views.At the same time,spiritual ecology,as a concept first proposed by Lu Shuyuan,has an important and unique position.Exploring the way to recreate spiritual subjectivity,relying on literary words,literary psychology and the power of awakening consciousness,to guide human’s deep awareness of ecological crisis,is the main exploration way to solve the problems of spiritual ecology in Lu Shuyuan’s ecological literature and art view.Therefore,by discussing the close relationship between literature and art and natural ecology,social ecology and spiritual ecology,the progressive development of Lu Shuyuan’s ecological literature and art view will be presented.Finally,based on the literary scene,we should also think about the practical direction of Lu Shuyuan’s ecological literary and art view.All theories originate from practice and serve practice in turn,so does Lu Shuyuan’s ecological literature theory.Therefore,after analyzing its formation and deepening path,it is more necessary to further discuss how these theories sink.In the literary writing scene,Lu Shuyuan’s natural ecological view,social ecological view and spiritual ecological view have brought a relatively stable conceptual framework for the creation of ecological literature.In the scene of literary criticism,Lu Shuyuan’s ecological literary and art view can be transformed into an effective critical discourse,which can be involved in the scene of ecological writing and form an interaction with ecological writing,so as to have an impact on the writer and provide him with support and driving force.In the field of academic discourse,Lu Shuyuan put forward a discourse form conforming to the characteristics of ecological times,which is a reflection and inspiration for the definition of modern academic discourse.Through the discussion of the above contents,the practical orientation of Lu Shuyuan’s ecological literature and art view will be explained systematically and comprehensively.Lu Shuyuan’s ecological literature and art view contains both theoretical support and practical dimension.It is of certain reference value for the current and future development of ecological literature and art to clarify its formation context,grasp its basic connotation and think about its practical direction.