Study On Calligraphy Of Qixing Rock Cliff In Zhaoqing

Zhaoqing Qixingyan Cliff stone carving group,from the horizontal point of view,is conducive to let us explore the aesthetic trend and change of calligraphy at that time;From the longitudinal point of view,multi-side stone carvings and Yan Zhenqing,Huang Tingjian and other famous calligraphy show the same or different interests,which can allow us to enrich and construct the development vein of classic famous calligraphy from the perspective of stone carvings.From this level,Qixingyan cliff stone carvings are worth us to dig and study more deeply.The main body of the thesis is divided into five parts.The first part is Zhaoqing Qixing Rock cliff stone carvings overview.It shows three "master" characteristics.First,the spatial distribution is mainly Shishi rock.Second,the Ming and Qing Dynasties dominated the time.Third,the content is based on poetry.The second part is about engraving,writing style and characters.From the Tang Dynasty to the Qing Dynasty,the use of heterogeneous characters has attracted the attention of calligraphers,especially after the Ming and Qing Dynasties,calligraphers prefer to use heterogeneous characters in their creation,which on the one hand shows the calligraphers’ pursuit of aesthetic interest in creation,on the other hand,it can show the style changes in the development process of The Times.The third part is the analysis of the characteristics of its style of writing;In terms of the style,it can be divided into two types in terms of time and space;In terms of style,the style of Qixingyan official script is rich and diverse.In terms of style,the vertical style is strengthened,the overall character style is more square style,and the line movements in the middle section are reduced compared with those of official script of Han Dynasty.Instead,the middle palace is smooth,and the strokes are supported on all sides to create a powerful visual effect,further expanding the expressiveness and aesthetic threshold of the official script.Qixingyan regular script style,can trace to Tang Chu Suiliang,Yan Zhenqing,Ouyang Xun,Liu Gongquan,can be followed by the fashion of Su Shi and Huang Tingjian sages;Among the families,and law Huang Tingjian book style for the bulk.In terms of the style of Qixingyan calligraphy,it can be divided into three types: the style of Wang Xizhi and Wang Xianzhi calligraphy,Yan Zhenqing calligraphy,and Huang Tingjian calligraphy.Among them,Wang Xizhi and Wang Xianzhi’s writing style is the mainstream.Qixingyan cursive style,on the whole,tends to be single-character independent cursive style,with positive shape as the main style,and there are also Dacao style with strong swing and great rhythm change.The fourth part discusses the interpretation of the value of calligraphy from three aspects: the inspiration of the practice of pen and ink,the supplement of the historical data of calligraphy,the development of curriculum resources.The fifth part is about the inspiration of calligraphy to the author’s creation.Starting from the three processes of artistic creation: creative experience,creative conception,and creative transmission,the creative experience of calligraphy should be "replenished" in nature,"replenished" in creative conception,and only after highly skilled skills and training can it be reached to be "skillful and excellent,and the heart and hand are smooth".