A Study Of Qingzhou Stone Carving Calligraphy In The Northern Dynasty

The Northern Dynasty was the period of the evolution of the Li script and the regular script,and Qingzhou was in the intersection of the north and the South,the Northern and southern dynasties had a long time of rule over it.The political and cultural customs of the north and South have a profound influence on this place.Therefore,it is necessary to determine the age division and geographical scope of Qingzhou in the Northern Dynasty.In the Northern Dynasty,stone carving in Qingzhou mainly consisted of statues,inscriptions and epitaphs,as well as cliff,tablet inscriptions and sarcophagus inscriptions.On the one hand,the formation of such a pattern of stone carving calligraphy was due to the peak of the spread of Buddhist culture in Qingzhou in the Northern Dynasty,which led to the increasing prosperity of Buddhists related stone carving activities.On the other hand,Qingzhou was an area where epitaph records matured early.The famous Gao clan of the Northern Dynasty,such as Cui family in Qinghe,gathered here for a long time,which made the epitaph form and system develop obviously.Therefore,it is necessary to elaborate the time and regional political and cultural background of its emergence.Secondly,the shape and system types of Qingzhou stone carving calligraphy in the Northern Dynasty are rich,and the application of the style shows a diversity.Through the quantitative analysis and summary of the shape and system characteristics and style types of various stone carving in different times,it can be seen that with the changes of The Times,the shape and system characteristics become more mature and regular,and the style application also shows a trend of becoming more elegant regular script.Thirdly,based on the calligraphy noumenon of Qingzhou stone carvings in the Northern Dynasty,through combing the types of its calligraphic appearance,on the one hand,the figurative expression of the evolution of Li and regular script under the influence of the new Yan style of calligraphy in the Southern Dynasty and the retro style of calligraphy in the late Northern Dynasty,and on the other hand,the expression form,causes and inspiration of the folk style of calligraphy under the influence of stone carvings materials and craftsmen.Finally,the paper mainly analyzes the artistic value of Qingzhou stone carving calligraphy in the Northern Dynasty from three aspects: First,it compares the evolution of typical stone carving calligraphy in the Northern Dynasty with those of Longmen Twenty Pieces,Luoyang Style and Yecheng stone carving calligraphy,so as to explore the unique process of the evolution of Qingzhou stone carving calligraphy in the Northern Dynasty,so as to establish the special value of the evolution of Qingzhou stone carving calligraphy in the Northern Dynasty.The second is the interpretation of the different development trends of the combination of regular script and seal script in Qingzhou stone carving calligraphy of Sui Dynasty,showing the Northern Qingzhou stone carving calligraphy in the Sui Dynasty.The third is the study and evaluation of the calligraphy of Qingzhou stone carving in the late Qing Dynasty by the calligrapher and scholars,and expounds the influence of Qingzhou stone carving calligraphy in the late Qing Dynasty.