Research On The Aesthetic Expression Of Rural Documentaries In The New Era

The development of rural documentaries in the new era cannot be separated from China’s rural revitalization policy,which is determined by China’s national conditions.As a reality and carrier of The Times,rural documentaries in the new era play an irreplaceable role in recording the new look of rural development,promoting the revitalization of rural areas,and spreading the image and culture of Chinese villages.China is a large agricultural country,and the countryside is both the source of Chinese civilization and the base of society.With the acceleration of urbanization,rural documentaries are also developing at a rapid pace,going through an exploratory period and a mature period.After entering the new era,some rural documentaries are still affected by the aesthetic experience of the old era and the western perspective of others,and their aesthetic expression is contrary to the real new era and new countryside.In order to solve the existing problems of aesthetic expression and re-balance the artistry and authenticity of aesthetic expression,the new era rural documentaries bear social responsibilities to some extent.Starting from the definition of rural theme documentaries in the new era,this thesis summarizes the characteristics of rural theme documentaries in different periods,analyzes the aesthetic expression of rural theme documentaries in the new era and explores the aesthetic misunderstanding of rural theme documentaries in the new era by analyzing the artistic works of rural theme documentaries in different periods.In order to explore the new era of rural documentaries in the aesthetic expression of effective suggestions.In this thesis,field investigation method,comparative analysis method,case analysis method and literature research method are adopted to study aesthetic expression on the basis of a large number of analysis and research of rural documentaries in the new era.This thesis is divided into six chapters to study the aesthetic expression of rural documentaries in the new era.The first chapter is the research of "historical development,theoretical origin and aesthetic value" of rural documentaries in the new era.It is divided into three sections,which are "Historical development of rural documentaries in the New era","Relevant theories of rural documentaries in the New era" and "aesthetic value analysis".Combining rural documentaries since the new era with aesthetic image theory,local knowledge theory,aesthetic expression theory,etc.,This thesis discusses the development and aesthetic value of rural documentaries in the new era from two aspects of the development of The Times and policy support.The second chapter studies the "misunderstanding of aesthetic expression" of rural documentaries in the new era.It is divided into three sections,which are respectively "aesthetic image misunderstanding: rural stereotype of marginalization,weakness and suffering","imbalance between real beauty and artistic beauty: contradictory spatial characters",and "value-leading misunderstanding: over-catering to the perspective of others".Based on the analysis of specific rural images,the research on aesthetic expression misunderstanding in rural documentaries is formed.The third chapter is the research on the "aesthetic image expression turn" of rural documentaries in the new era.The content of this chapter is combined with the rural documentaries of the new era,and the aesthetic image transformation of the rural documentaries of the new era is deeply discussed from three aspects: the image of villagers,the image of rural cadres and the image of the countryside,and the specific presentation of different images is analyzed by combining the cases in the documentaries.The fourth chapter studies the "balanced expression of real beauty and artistic beauty" of rural documentaries in the new era.It is divided into three sections,which are respectively "the real beauty of rural images in the media society","the artistic beauty of rural images in documentary films" and "the balanced expression of real beauty and artistic beauty".Combined with the specific rural images in the new era,the thesis analyzes the balanced expression of real beauty and artistic beauty in documentaries by combining with the cases of rural documentaries in the new era.The fifth chapter studies the "tendency of national consciousness in aesthetic expression" of rural documentaries in the new era.It is divided into three sections,which are respectively "mission orientation","content orientation" and "path direction".Combined with the analysis of specific rural images in the new era,it forms the research on the tendency of national consciousness in aesthetic expression of rural documentaries in the new era.The sixth chapter is "aesthetic expression research reflection".It is divided into three sections,namely,"positioning China’s image well","showing the beauty of rural tradition" and "telling Chinese stories well".Combined with the analysis of specific rural images in the new era,it summarizes and forms the research and reflection on the aesthetic expression of rural documentaries in the new era.According to the characteristics of aesthetic expression,this thesis studies the aesthetic expression of rural documentaries in the new era,which is to study the historical development and aesthetic misunderstanding of rural documentaries in the new era,and show the characteristics of aesthetic expression in documentaries by studying the emotional reflection,the creator’s thoughts and the materialization of emotions in the creation of aesthetic images in the lens.And the attitude of the creators of "Self-shaping and Other-Shaping" towards the countryside in the new era of China.This thesis explores the aesthetic system of rural documentaries in the new era through the research of aesthetic expression of rural documentaries in the new era.Taking care of the countryside under the background of the new era provides effective suggestions and explorations for promoting the effective construction of the new countryside,the active progress of the rural revitalization work,and the real presentation of the rural picture.At the same time,it has some inspirations for the research of the rural documentary in the new era.