A Study On The Expression Of Ethnic Music Elements In Piano Music

As a foreign musical instrument,the piano has been introduced into China for a history of hundreds of years.With the continuous development of piano culture,Xinjiang music elements are more and more rich in Chinese piano music.Since the1950 s,the early Chinese artists to absorb western foreign culture,but always to carry forward the national traditional culture as own duty,the western creative techniques combined with traditional Chinese music elements,create rich Chinese culture atmosphere of piano works,and committed to seek the piano and the integration of Chinese national culture,using the piano unique timbre and texture for national music repertoire into a new soul.Thus,Chinese piano music with Xinjiang music elements as the core is an artistic subject worth studying.This paper will take the first Xinjiang Dance Song as the main research object to explore the expression form of Xinjiang music elements in piano music.The study is divided into seven chapters,Chapter I expounds the research status,research value and method of Xinjiang music elements in piano music,Lay the theoretical foundation for the subsequent research;The second chapter is an overview of the creation of the First Xinjiang Dance Song,Through its background introduction,Macroscopic analysis of the structural framework,Can further help in the dialysis of the microscopic elements;Chapter III is the key content of this study,Still with "The First Xinjiang Dance Song" as the starting point,Focus on the work itself,By analyzing its melody,rhythm,tone,harmony and texture,etc.,Strive to explore the Xinjiang music elements contained in the music;The fourth chapter is started from the perspective of piano playing,To explore how the Xinjiang music elements are highlighted in the actual performance,And how to show it appropriately;Chapter 5: From the point to the surface,Summarize the aesthetic characteristics contained in the First Xinjiang Dance Song,And expounds the cultural connotation reflected in the work and the contribution and value to the development of the excellent traditional culture of the Chinese nation,So as to consolidate the theme of this research;The sixth chapter gives reasonable suggestions on accelerating the nationalization of Chinese piano music,at the same time,Strive to provide a useful reference for the creation of modern Chinese national style piano music.The seventh chapter is the conclusion,which summarizes the artistic characteristics covered in the First Xinjiang Dance Song,and expounds the current situation and challenges of the development of folk music.