Analysis Of The Creation Of The Xinjiang-style Piano

In fact, the creation of Xinjiang Piano Music from the 40s of last century. Musician Xian Xinghai in 1944, the people remain in former Soviet Union (Kazakhstan), he had to use the Kazakh folk music material created a Kazakh Dance 3, which is in our country to see the older style of piano music in Xinjiang. After the founding of the Xinjiang style, an increasing number of piano works, works of creative skills and also show a variety of situations.The composer at the piano creative skills and learn from the West, while the national characteristics in music have also made bold explorations and innovations.From the initial use of folk songs and civil tone as the theme, the music needs to be changed according to the initial stage of mainly, to absorb the essence of folk music with full creative approach and be able to reflect the piano itself, the creation of this instrument features of creation. That would ensure that the special features of folk music to the piano playing technique to play the piano works of Xinjiang into the professionalization of writing reflects the creation of Piano Music of Xinjiang from the homogenization of the diverse themes, from traditional techniques to modern techniques, research These works not only able to understand the music of Xinjiang, but also to China as a whole understanding of music.From after the founding date, a number of composers of music used in Xinjiang material creation has the Xinjiang regional style piano works, these works reflect the composer of the folk music and professional skills of the perfect combination, but also reflects the composer in maintaining the characteristics of folk music, while bold explores how to use the piano reflects the characteristics of folk music, this paper, these works Melody, rhythm, syntax, adjusting style, harmony, texture, musical form and other aspects of research and analysis, and strive for the subsequent creation of the Xinjiang-style piano and development in it helps.This paper is divided into three parts start address:Overview:Piano Works from the Xinjiang Historical Review, summary and history of ethnic minorities in Xinjiang folk music characterized by two aspects of discussion, through this part of the discussion of Xinjiang style of music as well as its characteristics of a preliminary introduction.Second, the analysis of Xinjiang's piano works:mainly through the two pairs of Ding Shan-de Xinjiang dance, Chu Wang-hua's "Xinjiang Capriccioso," Sun to the strong "Spring Dance", Shifu's Suite No.3 in Xinjiang as well as the IAAF Tao's "Tajik inspired", etc. Xinjiang-style piano in different analysis, refinement of the Xinjiang-style piano writing research.Third, the study concluded and enlightenment:from melody, rhythm, harmony, tone style, musical form, as well as ethnic music and learn from the succession of foreign techniques of creativity and music content according to the performance of the need to create new practices, which in seven areas of Xinjiang-style piano Qu creative skills and classification summary in order to learn to use.The article to be several aspects of the analysis through the above discussion, in order to work more in-depth understanding of the meaning, to understand the creation of the Xinjiang-style piano, from the many works we can find these composers in the Western compositional techniques on the subject development and the theme runs through the creative ideas, polyphonic writing techniques, harmony and tone of the layout tools, as well as musical form to explore the structure of design and breakthrough, which makes these works of art with strong national character, but also has the times, in order to achieve Xinjiang traditional music heritage and development.