| As the product of China Buddhism,Zen has become an indispensable part of Chinese ideology and culture after a long period of development.With its own characteristics,it attracts the attention of scholars and also affects their literary creation.Therefore,this paper takes Wang Shizhen’s poetic theory "charm theory" as the research object,and analyzes the influence of Zen thought on his poetic theory "charm theory" in combination with the background of Ming and Qing Dynasties.The first chapter analyzes the influence of social background,family education and personal experience of Wang Shizhen in Ming and Qing Dynasties on his poetic theory "charm theory".During the Ming and Qing Dynasties,the cultural autocracy became more and more fierce,but Zen thought exuded unique charm and became the ideological nectar for the literati to comfort their hearts.In parallel with Confucianism,it won the attention of clan families,which laid a solid foundation for Wang Shizhen’s growth.On the one hand,Wang Shizhen adopted various poetic theories;On the one hand,I traveled around Zen temples and met Zen monks.Therefore,in addition to the influence of Confucianism,Wang Shizhen was also influenced by Zen thought,which prompted him to put forward the theory of charm.The second chapter analyzes the basic content of "charm theory" formed by the infiltration of Zen thought.Wang Shizhen took his life’s experience of Zen as the material of poetry creation,and accumulated rich practical experience by integrating Zen into poetry.At the same time,he inherited and developed his predecessors’ poetic theory,and penetrated Confucianism and Zen thought to discuss poetry with Zen,so he put forward some poetic ideas with Zen color,which constituted the basic content of his poetic theory "charm theory"..The third chapter analyzes the aesthetic characteristics of Wang Shizhen’s "charm theory" influenced by Zen thought.Because Zen is still simple and "not writing",under its embellishment,the "charm theory" shows the aesthetic charm of rushing and distancing,that is,the poetic language is unconstrained,free and easy,and there is still deep meaning outside the pen and ink;At the same time,it also has the charm of Qingyuan,which reflects the pursuit of elegance and charm.The fourth chapter analyzes the value and influence of Wang Shizhen’s theory of verve.Because the theory of verve is based on verve,it has rich theoretical connotation and unique aesthetic characteristics,showing the elegant and extraordinary aesthetic fashion of Qingyuan,and has certain remedial significance to the shortcomings of imitating the ancient in the early Qing Dynasty,so it has important value in Wang Shizhen’s poetic system and even in the poetic world.In addition,because his "theory of charm" blended with the interest of Zen,he advocated the verve of Zen,which led some people to criticize Wang Shizhen for making his poems illusory and empty in pursuit of this feature.However,some people accept his poetic theory and construct their own poetic ideas with the theoretical essence of "charm theory".In a word,Wang Shizhen’s poetic theory "charm theory" is the theoretical result of the integration of Confucianism and Zen,and Wang Shizhen regards it as the requirement norm of poetry creation,which has certain innovation in the poetic world.At the same time,the theory of "charm" has a certain influence on the poetry circle because of its rich theoretical connotation. |
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