A Study Of Preface Written By Wang Shizhen

As a leading figure in the poetry circle of the main league of the Kangxi Dynasty,Wang Shizhen influenced the poets of the Kangxi Dynasty on many levels,among which preface was one of the most important.Wang Shizeng wrote about 125 prelations,a considerable number of which can only be found scattered in various research examples about him,and there is a lack of specialized stylistic studies,which leaves much room for further research.In the context of the Ming and Qing dynasty literati’s intention to organize personal anthologies,the preface of the book is often included in both the author’s anthology of the preface and the frontispiece of the preface of the collected works.The combing of the relevant literature of the preface of Wang Shichen’s book focuses on the comparison of the two editions of the preface,summarizes the differences,and conducts a separate study of the part of the preface with more modifications.Although the preface of Wang Shihen’s book is mainly based on the order of poetry collections,such as the preface of the part order and the order of Fang Zhi,it is often easy to be ignored under other literary research methods,and it is also the part that is vacant in the current Wang Shichen preface research,which can be fully covered by categorical research.The study of the creative characteristics of Wang Shichen’s preface,including his artistic style and writing strategy.In the self-preface,Wang Shihen is skilled in revealing his own character through ups and downs,and embodies elegant interests in the interplay of self-humility and self-satisfaction,which is his deliberate shaping of self-image.In his preface,Wang Shihen implemented the creative principle of taking people’s essays and humanistic mutual verification from "prologue" to "narrator",and on this basis,formed his two image maps of "the reclusive" and "loyal and filial righteous".By comparing and analyzing the identity of the prologue master and the writing strategy of Wang Shihen’s preface,Wang Shihen’s creative attitude and emotional expression are different when faced with various prologues with different identities.For example,when faced with friends,Wang Shihen would deliberately emphasize that he knew something Mo Ruoyu in order to establish his authority as a "confidant".In the face of Wang Shilu,Wang Shihu and others who are related,Wang Shihen will deliberately hide himself and complete the preface by quoting others’ comments.As a leader of the poetry of the early Qing Dynasty,it is necessary to place the preface of Wang Shichen’s book in the context of the Kangxi poetry altar for study.On the one hand,it focuses on the critical practice in the preface of Wang Shichen’s book,including his evaluation of different poet groups,the evaluation of landscape poetry and its critical strategies.On the other hand,under the trend of cumulative preface in the early Qing Dynasty,observing and comparing Wang Shichen’s prefaces written by others for the same anthology can more intuitively compare Wang Shichen’s preface habits and differences in the style of articles,and also extend from the small-scale communication activities of Wang Shihen himself and his prologue master,and expand to pay attention to the confrontation of various poetic ideas in the Kangxi period.