Research On Chinese Tuan-shan Design

Tuan-shan is an independent system in Chinese traditional fan culture.Tuan-shan aesthetics inherits the "look at things and take images" in the process of creation aesthetics development,and is named for the tuan shape.Despite the gradual evolution of the shape and system,the aesthetic connotation has been around the "coexistence of rites and customs" and "a circle according to the Qu".The circle of Tuan-shan is a kind of spiritual production and a crystallization of the beauty of creation.In terms of the material of the fan,it reflects the way of life,science and technology and the aesthetic concept of symbiosis.In terms of the symbol of Tuan-shan,it is close to the coexistence of etiquette and custom and the interest of literati.The main purpose of this topic is to explore the development and cultural connotation of Tuanshan,and then find the ideological and ceremonial connotation of traditional culture in contemporary design.This topic mainly uses the analysis of historical literature on Tuan-shan,combined with the analysis of individual Tuan-shan cases,to explore the theory of circle of Tuan-shan within the interdisciplinary discipline of design and engineering,and then complete the design practice by combining this theory.First of all,starting from the historical development of Tuan-shan,the concept and research scope of Tuan-shan are elaborated,and the social background of Tuanshan’s development is sorted out from the four perspectives of human conditions,natural forms,artefacts,creation views and aesthetic taste,so as to clarify the development of Tuan-shan and its shape and system evolution.Secondly,the design features of Tuan-shan were analyzed,and the beauty of the overall shape of Tuan-shan was analyzed from three parts: components,shape classification and scale design.Then,the beauty of the group fan decoration technology was analyzed from the selection of the decorative pattern theme,the composition form of the fan surface,the relationship between color and the interior shape of the decoration.Material selection of Tuan-shan and Special process Analysis of Tuan-shan process characteristics.Finally,the paper summarizes the design aesthetic characteristics of Tuan-shan.The shape is round and the place is round,the color is elegant,the pattern is auspicious,the material is natural,the design connotation is beautiful and lyrical.The most important thing is that the idea of circular beauty inside Tuan-shan is of great significance to contemporary design.To sum up,the conclusion is that "circle" is not only "shape",but also a kind of object modeling,and an aesthetic model of viewing objects and taking images.Its own historical and artistic value and cultural connotation permeate the extended significance of the circle in Chinese culture.The organic combination of modern design with the aesthetic and ceremonial redesign of Tuan-shan,exploring the renewal of traditional aesthetics,is an important source of inspiration for the innovative performance of contemporary design,and improves the cultural connotation of contemporary design.