Investigation And Research On Liu Kun’s Paper Cuttings Art In Panjin,Liaoning

Panjin City,Liaoning Province is located at the mouth of the Liaohe River,and its natural resources and cultural environment have nurtured a rich and colorful intangible cultural heritage.In2009,the Panjin Municipal Government launched the survey of intangible cultural heritage.As of2022,there are a total of 45 representative projects on the municipal level of intangible cultural heritage in Panjin City,and 11 expanded project lists.The paper selects the representative Panjin Liu Kun Paper Cuttings as a case for field research.This Paper Cuttings originated in 1897,and was later applied for inclusion in the Panjin Intangible Cultural Heritage List by Liu Shukun(also known as Liu Kun),the fifth generation inheritor,with the name of "city+representative inheritor".In combination with field research,this paper uses the theory of cultural ecology and the theory of art to make an overall discussion on the natural environment,cultural environment,inheritance mode of Paper Cuttings,theme of Paper Cuttings patterns,cultural connotation of the works and other aspects of Paper Cuttings,summarizes the inheritance and development characteristics of Panjin Liukun Paper Cuttings,puts forward protection and development strategies,and provides reference cases for Panjin City to promote the integration and development of intangible cultural heritage and related industries.The main research contents are as follows: The first chapter uses the theory of cultural ecology to conduct an overall analysis of the cultural ecology where Liu Kun’s Paper Cuttings art is located,and expounds that under the influence of the natural environment and human environment of Panjin,Liu Kun’s Paper Cuttings’ s works in Panjin mainly reflect the natural ecological view,folk activities,life etiquette and the performance of the natural environment and regional culture that the people expect to be harmonious with nature,which not only preserves the aesthetic feelings of the people,It also reflects the unique regional style of Panjin City.The second chapter combs the inheritance methods of Paper Cuttings art of Liu Kun in Panjin,draws the genealogy map of his family inheritance and master apprentice inheritance according to the field survey data,and combines Paper Cuttings into the community and campus activities,to elaborate the inheritance methods of Paper Cuttings art of Liu Kun in Panjin from point to surface,from internal to open in the past hundred years.The third chapter analyzes the patterns and themes of the Paper Cuttings art of both material form and spiritual culture,as well as the cultural connotation contained in his works.The fifth chapter summarizes the inheritance and development characteristics of Liu Kun’s Paper Cuttings art in Panjin,and proposes that the future protection and development of Liu Kun’s Paper Cuttings art in Panjin should be put into the idea of integrating into people’s daily life,so that Liu Kun’s paper-cut art in Panjin can be substantially integrated into life,and expand the inheritance scale in people’s life.