| This paper takes practical lacquerware as the research object,takes the material texture as the starting point,and adopts the research method of combining practice and theory to explore the decorative language of practical lacquerware.In the process of practice,we pay attention to the practical function of lacquerware,explore the rich texture effect of the combination of natural materials and lacquerware,break through the limitations of the previous lacquerware’s flat,light,and bright decoration language,and create both practical and aesthetic lacquerware,so as to make lacquerware better.Integrate into life and promote the development of lacquer technology.The whole thesis is divided into four parts.The first part discusses the selection of materials in practical lacquerware painting.Firstly,it summarizes the three conditions for material selection,and then classifies four types of materials into flake,strip,crushed and powdery materials and analyzes their characteristics.Finally,it extracts the reasons The application methods of the three major materials: shaping,applying art according to the material,and giving color according to the shape;the second part summarizes the texture performance of the four types of materials in combination with practice,and records the production process of each material texture shaping;the third part Part of it explains the aesthetic consciousness used by the author in the process of practice;the fourth part puts the texture painting of practical lacquerware under the background of the development of contemporary lacquer art,and explains the value of practical lacquerware as a handmade artifact in terms of spiritual connotation,and As an excellent traditional craft,lacquer craft embodies the value of cultural inheritance.The purpose of this thesis is to summarize the application of natural materials in practical lacquerware painting through the discussion of the above four parts,to arouse more lacquer workers’ attention to the study of practical lacquerware,and to provide a new kind of painting method for the majority of lacquer workers.ideas and some theoretical support.This paper explores the material and texture painting of various practical lacquerware,which has certain positive significance for the development of practical lacquerware.The current social atmosphere that values traditional culture requires lacquer art workers to take the opportunity to actively explore the development path of lacquerware in the process of seeking innovation and change.Although many new gains have been made on the road of exploration,there are still some issues that need attention and research,such as the practical lacquerware needs to be paid attention to,and the decorative language needs to be enriched.These new harvests and new problems all illustrate the necessity and importance of the research on the subject of this thesis. |