Study On The Application Of Han Dynasty Portrait Masonry Planarization Modeling Language In Batik Creation

Han portrait brick art is a treasure of Chinese plastic arts,its content is rich,simple style,exaggerated shape,flexible and romantic characteristics,has produced a profound influence on the development of the art of later generations,it is not only a treasure house of image art,but also contains the characteristics of the Han Dynasty and the spiritual connotation of the people,can be said to be a pictorial history of the Han Dynasty.Modeling language is an artistic language to express meaning and convey emotion formed by different artistic forms according to their own artistic laws.Due to the differences in historical periods and social environment between Han portrait masonry and batik art,their modeling expressions are also far apart.Therefore,the research on the application of modeling language in the bricks of Han portraits in batik creation is not only an in-depth exploration of batik creation,but also a modern aesthetic perspective and a rational and prudent research attitude to create batik creation by realizing the dialogue and integration between tradition and tradition,and between tradition and modernity,while maintaining the batik art language,it also creates an open,inclusive and innovative feature.Batik works that meet the needs of modern art creation.In this paper,through the understanding of the historical development of Han portrait brick,analysis and refining of the overall styling style of Han portrait brick,and then from the layout,image,line,color,space five aspects of Han portrait brick modeling language for in-depth exploration.Secondly,in terms of batik process,the technical innovation of batik is explored and studied from the two aspects of multi-color set dyeing technology and texture expression of batik,and the characteristics of batik art picture and modeling language are deeply analyzed to summarize the interoperability of the two.Based on the study of the brick modeling language of Han portraits,this paper deeply analyzes the rhythm of composition,the tension and potential of images,the touchstone sense of lines,the symbolic color and the multi-dimensional space and other features,as well as how to use batik technology to achieve innovative expression,and combines theory with practice to design and produce batik works with batik technology as the creation carrier.The two art forms of Han Dynasty portrait masonry and batik dyeing seem to be quite different,but in fact they have something in common with each other.Both styles tend to be primitive and simple,and their creations are closely connected with people’s lives.Both are very important components of traditional Chinese culture.Although these two art forms were "isolated" in the past due to space gap,they also created opportunities for the innovative integration research of this subject.