Aesthetic Trends And Emotional Communication: The Mobile Phone Life And Image Expression Of The Miao People In Suoga

Fifteen years ago,Longjia Miao Village,as the core village in the community of Suojia Ecological Museum,attracted the attention of the research team of scholar Fang Lili.He co-authored "The Changes in the Life of the People in Longjia Village-Research on the Suojia Ecological Museum",which constructs a history of the changes in the life of the Miao people in Longjia for us.Now,fifteen years later,the life of the people in Longjia Village has undergone earth-shaking changes.Basically,every household has built a brick house.The basic life has improved a lot compared to fifteen years ago,which is the happy side of life.But there is also a disappointing side,that is,the phenomenon of "hollowing out" of the village has become more and more serious,the living pressure of the local people has not decreased,and the spiritual life has become more and more depressed.With the intervention of the new media such as smartphones,the entertainment and expression of the Longjiazhai people have a window through which to vent.Through this window,the author observes their cultural changes,aesthetic consciousness and spiritual world.From the perspective of artistic anthropology,this paper focuses on the Suoga Miao people in Longga Miao Village,trying to reveal their overall life changes in the past 15 years,the modern lifestyle in the era of smartphones,and the interpretation of culture in image expression.Function,social system,time cognition,nostalgic spirit,technical charm and aesthetic dilemma,etc.On the basis of summarizing and sorting out the existing research results,this paper is mainly divided into three chapters: The main content of the first chapter is based on the investigation of the current architectural concept and clothing concept of the Longjia Miao people,through the analysis of more than ten By comparing the ethnographic reports made by relevant scholars years ago,it reveals the local people's cognition of "traditional" and "modern" views,so as to restore the deep reasons for the local people's use of self-media and the background of their expressions.The main content of the second chapter is about the impact of new communication tools and the advent of the Internet age on the life of the Suoga Miao people,and a detailed review and summary of the life status of the Suoga Miao people on smartphones.This part mainly reflects the biggest changes in the lives of local people after the emergence of smartphones,showing the reality of life reproduced in the media.The third chapter,cultural interpretation and analysis of the function of image expression in Suojia Miao people's self-media.Through the analysis of the self-media expressions of the Miao people in Longjia Village,the author found that these self-media images can not only reflect the gender and age of the author,but also reflect the relationship between local people and consolidate the social structure within the ethnic group.important role in.Images in self-media can continue to strengthen their national identity and extend the function of inheriting national memory and cultural transmission.At the same time,in the production and viewing of images,the author also discovered the collective nostalgia presented by the local people.In the daily image creation of the Suojia Miao people in the self-media,the author believes that the popularization of technology on the one hand breaks the "charm of technology",but on the other hand makes it fall into the dilemma of aesthetics.These have become the dilemmas of modernity that the Suojia Miao people have to face.