Research On The Image Of Street Wanderers Incyber City

Nowadays,the development of mobile devices has given birth to various apps,and social media such as Douyin and Weibo have become excellent carriers for delivering videos and images.A group of photographers who make a living on street photography quickly appeared in major cities,and used images and videos to capture street fashionistas and distribute them on social networks.With the development of urban street photography,street photography has gradually been fixed in a specific landmark in the city.For example,the mainstream street photography in Chengdu gathers in Taikoo Li,Chongqing gathers in Tianjie of Guanyinqiao Beicheng,and Hangzhou gathers in the shore of West Lake.In July 2020,Chengdu Taikoo Li banned street shooting,demanding rectification of the vulgar,vulgar,and kitsch content in street shooting,as well as the ethical disputes involved in sneak shooting.Street photography itself contains great academic research value and research significance,but the current research on street photography is relatively scarce,and they are only limited to the study of street photography images.There is a lack of research on the people being photographed on the street and the research on the street photography.The vertical history of people is combed.This article captures the similar logic between the current street photography and the relationship between urban landmarks and street photography and the relationship between "walkers" and "arcades" proposed by Benjamin,and is combing through a large number of documents.On the basis of the development of modernity as the axis,we longitudinally sort out the historical context of street photography from rich people in London— "hangers" —in an effort to give street photography more rich historical connotations.In addition,this article uses the interview method to interview street photographers,sorts out the street photography elements that street photographers value,and digs out the social thoughts contained in each element,and constructs from urban wanderers to today’s street photographers.The picture of the image change in the photographer’s journey.This article is mainly divided into four parts:The first part is the introduction,which mainly summarizes the research background of this article,the purpose and significance of the research,the academic research on street photography and leisure viewers,and the research methods.The second part takes the development process of modernity as the axis,longitudinally combing the representations of the "hanger" proposed by street photographers and Benjamin in different historical periods.It is mainly divided into the rich people in London in the budding period of modernity and the mature period of modernity.The "walker" of "Shanger" and the "tourist" at the intersection of the 19 th and 20 th centuries,the fourth part borrows the characteristics of postmodern to comb contemporary street photography.The third part is based on interviews with street photographers,sorts out the symbolic elements involved in street photography,and elaborates on the body and behavior of street photographers,and analyzes contemporary street photographers compared to "walkers" The emergence of new signs.One is that the body of the street-photographed becomes a landscape to be pursued;the other is that the behavior of the street-photographed is actually a dissolution and reconstruction of tradition.The above two sections will be described in detail in the main text.The fourth part is mainly on the basis of the third part,the theoretical tracing of the characteristics of the body and behavior presented in the image change from the stroller to the street photographer.It is mainly divided into two sections.The first section is about the stroller.Explain the reasons for the changes in street photography,including the proliferation of diversified media,the linkage effect of urban landmarks,the rise of female consciousness,and the migration of the performance front;the second section mainly reflects on the phenomenon of street photography,reflecting on the appearance of street photography The expansion of consumer desire and the negative phenomenon of women being objectified and imprisoned.The last part is the conclusion,which mainly summarizes the contents of the above four parts,and proposes reflection on the basis of affirming the phenomenon of street photography.