Research On Digital Exhibition Of Cultural Resources And Image Communication Strategies

Over five thousand years,time has left China with its cultural heritage and historical museum resources.These cultural resources carry countless historical information and cultural values,and have indelible meanings in the aspects of history,science,and art.Now,in the new communication context,how should these cultural resources that carry human memory play their value and create new connections with the public? As human spiritual civilization enters a new time and space,it is a question worthy of our consideration.Most of the cultural relics are old and face destruction or extinction due to the dual factors of nature and man-made.In response to this phenomenon,how to use modern media means to protect and develop cultural resources and realize the media conversion of cultural resources is the main issue discussed in this article.This article is mainly divided into the following contents: The introduction briefly introduces the current research status of the digital development of cultural resources and the presentation of thematic texts.The second chapter explains the realignment and value changes from the concept of "cultural relics" to "cultural heritage".It is pointed out that by interpreting history,protecting the existing ancient cultural relics,architectural groups and ruins can stimulate individual or group memory,so that the connotation of cultural relics far exceeds the original meaning of the original inheritance.And taking Dunhuang Mogao Grottoes as an example,two main aspects of the practice of protective development media-digital presentation and image expression are introduced.The third chapter tells how the main body of cultural and expo exhibitions-museums can adapt to the change of communication methods.Use symbolic symbols,spatial narratives,multiple interactions and other methods to construct a space for cultural exchanges and value dialogues.Break through the limitations of the fragility,non-renewability and cultural relic protection principles of the collection itself,bring visitors a multi-sensory experience,and connect the public to actively participate in the construction of cultural landscape.The fourth chapter looks back at the current practice of the development and dissemination of cultural resources in China,using "I repaired cultural relics in the Forbidden City","National Treasures" and "If National Treasures Can Talk" as the texts,respectively,analyzes how these three programs escape the boring cultural and cultural dissemination stereotypes.,Use innovative thinking and unique narrative strategies to present thematic texts.Finally,it summarizes the lessons learned,and proposes a media conversion plan for cultural and cultural resources,in order to provide a reference for the production of cultural and cultural TV programs in the future.