Narrative Research Of Intergenerational Emotional Observation Reality Show

General Secretary Xi Jinping pointed out at the symposium on literature and art: "Literature and art are deeply integrated into people's lives,career and life,prosperity and adversity,dreams and expectations,love and hate,existence and death,and enlightenment can be found in all aspects of human life".In the fast-paced era,it is difficult to vent the great pressure of life and work that people are facing.The increasingly normal social anxiety makes people's demand for TV programs tend to be a kind of companion and healing emotional dimension.Under this background,the value orientation of TV variety shows has changed from paying too much attention to commercial value to paying attention to humanistic care.Observation variety came into being.By introducing social motifs such as individual,generation and emotion,focusing on the theme of "observation",it tried to arouse the audience's attention,thinking and even criticism of real life through the process of "watching,examining and experiencing" the program.As an important branch of observation programs,intergenerational emotion observation reality show has been watched strongly since the first intergenerational emotion observation reality show was launched in China in 2018,setting off a wave of "intergenerational communication",highlighting the social value.In this paper,the domestic intergenerational emotional observation reality show is taken as the research object,focusing on the influential program cases such as My Little One,Daughters' Love,Daughters' Boyfriend,etc.,and taking the literature research method,case analysis method and comprehensive analysis method as the main research methods,the intergenerational emotional observation reality show is deeply analyzed.From the perspective of narratology,this paper analyzes the narrative communication subject,narrative story and narrative discourse one by one,studies the narrative characteristics and laws of this kind of programs,and analyzes the experience of building narrative text and "real world" in the narrative background of modern mainstream value culture,which has both theoretical and practical "double value" for the development of program content industry,and is also helpful for the innovation and creation of this kind of programs in the future.The first part of the paper analyzes and discusses the subjects of narrative communication in intergenerational emotional observation reality TV programs,and divides the subjects involved in narrative communication into narrative subjects and receiving subjects.By dividing the narrative subject into the narrator before the curtain and the narrator behind the scenes,the audience is introduced into the narrative situation in the cross-narrative of multiple narrative subjects,which plays a decisive role in the main form and content of the whole program narrative text.On the subject of reception,the audience characteristics of the program are discussed from two parts: real readers and implied readers.In the aspect of narrative content,this paper analyzes the narrative theme,narrative structure and narrative plot of intergenerational emotional observation reality show.The program highlights the essence of life in the narrative theme,resolves intergenerational conflicts with cultural feedback,and transmits positive values through "collective consensus";The program creates life intention in narrative structure,combines linear narrative structure with parallel narrative structure,and enhances the audience's sense of participation.The program takes care of social reality in narrative plot,shows real life with daily narrative,sets conflict to output multiple values,and designs suspense to enhance visibility.In the aspect of narrative discourse,this paper analyzes the narrative perspective,narrative time and narrative skills of intergenerational emotional observation reality TV programs.The program constructs the observation threshold through the transformation of external focus,internal focus and zero focus angle,showing the sum of all aspects of the event;The program makes all kinds of time distortion through the combination of narrative time sequence and time distance,and constructs narrative text;Through the flexible use of nonverbal symbols and rhetorical symbols,the program presents a variety of discourse ways to assist narrative.