Screen Reengineering In The Horizon Of Scene

With the advent of the mobile Internet era,scenes replace traffic and become popular in the market,Scenarios mainly include space and environment,user real-time status,user living habits,and social atmosphere.This article starts from the role of film critics,and uses research methods such as image analysis,text analysis,and in-depth interviews to explore the viewing scene constructed by film critics and viewers in the era of mobile Internet,so as to realize the reconstruction of the screen,and then analyze The possibility of this viewing scene evolving into a public space.Research has found that mobile screen viewing scenes are constructed based on various reasons such as the development of mobile Internet technology,the openness,freedom,and sharing of social media platforms,the profit-seeking market of film critics,and the fragmented and emotional needs of viewers.In this mobile screen viewing scene,mobile devices,social media and big data provide technical support for this screen re-engineering.As the main body in the viewing scene,film critics realize self-exhibition through this scene,and the viewer realizes interest.The collection of the community,the two are connected through symbols such as pictures,explanations,and evaluations.At the same time,the capital economic power as the manipulator behind it affects the production rules of the scene content and the connection between the two.As the main body in the movie watching scene on the mobile screen,film critics actively practice this constructive behavior.First of all,in terms of the presentation of the movie watching scene,they mainly open up the entrance of the viewer into the movie watching scene through the stimulation and attraction at the visual and auditory level.The viewer also decodes and encodes the received symbols and transmits it back to the scene;secondly,the film critic and the viewer jointly negotiate,collectively decide the theme of the show,and set the agenda when the short video is played,which arouses heated discussions among the viewers;and finally;Film critics realize the long-term development of the movie viewing scene by establishing information,interest and emotional connection with the viewer,and this mobile screen movie viewing scene presents the characteristics of being confined to media technology,weak social relations,and wandering in the virtual and real world.Finally,from the public domain of Habermas,it explores the possibility of mobile screen viewing scenes growing into public spaces.The study found that mobile screen viewing scenes reflect the characteristics of objective criticism,public issues,and harmonious interaction in public spaces.At the same time,we must also pay attention to the obstacles that prevent this mobile screen viewing scene from evolving into public space,such as network information distortion,consumerism,shallow discourse and fragmentation.