Research On Chinese Contemporary Immersive Art Exhibitions From The Perspective Of Aesthetics

With the development of the economization of the art market,an endless stream of immersive art exhibitions have entered galleries and commercial institutions,which not only promotes the development of Chinese contemporary art,but also presents a new challenge to art curators.From the macro perspective of art history,immersive art exhibition should not only be limited to the immersive experience brought by new media art,but also should be the artistic thinking with artistic interaction and social benefits that can withstand the artistic investigation.The study of Chinese contemporary immersive art exhibition from the perspective of reception aesthetics is conducive to the analysis of the relationship among the curator,the exhibition and the art audience in Chinese contemporary immersive art exhibition.It is conducive to the in-depth exploration of the generation mechanism of Chinese contemporary immersive art exhibition.This paper combs out the development history of immersive art exhibition,studies the theoretical construction and generative mechanism of Chinese contemporary immersive art exhibition from the perspective of reception aesthetics,and discusses the value construction of Chinese contemporary immersive art exhibition.