Traumatic Experience And Image Redemption

There is a close and complicated connection between the traumatic experience and the director's creation,which is an important clue to explore the director's creative motive and the performance of his works.As an amphibious director and playwright of Swedish films and TV dramas,Ingmar Bergman's works have great influence at home and abroad,but the psychological trauma formed in his childhood has led his creative direction all his life,this unique traumatic experience has become an inexhaustible driving force for Borgman's artistic creation.Borgman's traumatic experience is constantly presented,deconstructed and reconstructed in his image works,through which Borgman realizes his spiritual salvation.This paper will be divided into three parts: Introduction,body and conclusion.Introduction: The main reasons for the selection of topics,to clarify the issue of consciousness of this topic,the Ingmar Bergman of the relevant research results and comments,the definition of the relevant theory,it combines the trauma theory with other relevant theories,such as psychoanalysis and film narratology,to create a rational and rigorous research approach.Main Body: This thesis will analyze the traumatic experiences of Borgman in his childhood from the perspective of trauma theory,and explain the relationship between psychological trauma and its image expression,and his quest for redemption in his vision.Chapter 1: The causes of trauma in Ingmar Bergman.Rebellion and antagonism between parents and children,and emotional entanglements between the sexes,have left the Ingmar Bergman emotionally stunted.God remained silent in the face of Borgman's suffering,and Borgman's faith in God faded,but he could not shake his deep Christian sense of original sin.In addition,Borgman's childhood was often marked by the threat of death,and his youthful sexual appetite was brutally sealed.These are the main causes of Ingmar Bergman traumatic experiences.Chapter 2: The theme Mapping of Ingmar Bergman's traumatic experience in his films.From the three aspects of emotional predicament,crisis of faith and philosophy of life in the video works,the merciless family and loveless marriage is full of every stage of the growth process,is also full of Borgman's every film;In the film,Borgman breaks with God,but does not get rid of the "consciousness of original sin";Borgman gradually realizes that death is not to be feared,the loss of meaning is to be feared,and the spirit of excessive sexual indulgence becomes more and more empty,and Map it to the theme of the film.Chapter 3: The analysis of the Visual and audio representation of Ingmar Bergman's traumatic experience in his films.Mainly from the reflection of the trauma refracted through the lens,light and shadow color display obsession,the deepest soul of singing three parts to analyze how to use audio-visual language display trauma Ingmar Bergman.The FourthChapter 4: mainly analyzes how the Ingmar Bergman realizes the spiritual redemption and the sublimation through the movie.The film became a haven for Borgman,a place where he found himself,where he began to seek meaning in life,and where his suffering was channeled.Borgman finally began to reconcile with life,rekindled the hope of love.Conclusion: In this era,it is necessary to talk about Borgman Borgman's film research,through the presentation and expression of their own trauma,so that the works have a rich sense of humanity,unique aesthetic style and a variety of audio-visual representation.