Research On Domestic Network Police And Bandit Dramas

Gangster films,as an emerging genre of early gangster films and westerns,ever since American drama "Prison Break" became a hit,suspense,case-related film and television works are gradually favored by the audience.While with the development of Internet audio-visual technology,the cultural and economic environment has changed.Domestic network police drama appeared another climax,after respectively two waves of production since 1979 "sacred mission","Interpol captain" and 2000 around "the color of Interpol" and other excellent domestic police drama set off.Therefore,this paper will take the domestic network police dramas from 2015 to 2019 as a research sample to study the overall textual characteristics of the Chinese network police dramas during this period,and try to provide a new idea for the development of domestic network police dramas.Except the introduction and conclusion,this paper will be divided into four chapters,respectively,the research of domestic Internet police drama creation background,character portrayal,narrative strategy and aesthetic characteristics,this paper studies the male image building of domestic Internet police drama.It provides reference for the study of male image in film and television dramas,and develops a new perspective for the study of police and bandit dramas.The first chapter,the creation background of domestic network police drama,combined with the influence of network literature,research on the creation of domestic network police and bandit drama;At the same time,combined with the characteristicsof the production and broadcast platform,the current technical environment,cultural context and other aspects,this paper tries to explore the external factors of the popularity of Chinese police and bandit dramas.The second chapter,the characterization.In combination with the role arrangement of China's network police dramas,which are dominated by male characters and supplemented by female characters,this chapter divides the characterization into two dimensions: male and female images,and develops from two aspects: personality portrait and stylized analysis.The female image plays a more and more important role in promoting the network police drama,which also reflects resonance between the feminism rise and the male-dominated society in China.Chapter three,narrative strategy.Combined with the theory of narratology,it is divided into four aspects: narrative structure,narrative mode,narrative style and symbol application.This paper summarizes the diversity of narrative strategies of China's network police dramas,so as to provide new ideas for the it's future.Chapter four,the presentation of audio-visual aesthetic features.This paper studies the aesthetic characteristics of China's network police dramas from three dimensions of shot language,voice and line text,and finds that the aesthetic characteristics of China's network police dramas show dynamic changes.From the perspective of text analysis,the continuous improvement of its specialization also makes a positive contribution to its social connotation.